
Though he's dabbled in neo-Weimar cabaret, abrasive electronics and even film scores, David E. Williams of Phillidelphia, United States of America is best known for electro-symphonic pop and a lyrical humor so dark that it's not really funny. Some might call it gallows humor, but "gas chamber humor" is a bit more accurate for his love songs rife with murder, abuse and obscure references to eating. Williams has been described as "Barry Manilow's evil twin" (Jim Knipfel
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The Curious Pediatrician
Heart-Shaped Box
Ich Hatt' Einen Kameraden
Save A Chair For Jennifer
Kill Yourself In Cape May
Restraining Order
Here Comes The Cold Narrator
Summer Wasn't Made For You And Me
Haiku, Interrupted
Petals Open, Quickly Close, Cops Say
Hymn To The Genius Of Idi Amin
I Have Forgotten How to Love You
The Unconscious Is Cold
Erlkönig
Seance Gossip (Gossip Seance)
Closing Suite For My Deceased
Their Paper Cranes Ablaze
Beautiful Brown-Shirted Man
Relentless And Unrelenting
Suicide Bomb
Sandra Lindsey
altar boy
less than queer
A Man Needs a Man Friend
Lather
Thumbelina Toad Slut
The Ballad Of Bob Crane
Black Planet
Sarah's Booted Boy
Grey Balloon Masquerading
Wotan Rains On a Plutocrat Parade
In Sickness and in Sickness
Me and My Girl and the Cold Grey World
Game Warden
Do I Love You As Much As I Did When You Weren't Sick?
Legends of the S.S.
Vaginal Interior Decorator
Little Sap and Varicose
Seizure Dream Believer
The Day the Birth Stood Still
Shadowy lesbian pornograph
Charlotte's Glass Eye
Teddy Bear Laser Speculum
The Need For Less Sex In The World
Stench Number Seven
The Official Picnic Song
Little Miss Consumptive Icon
Pumpernickel Crust (Ensemble Version)
I Was a Fool in Love
Police Widow
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