Charles Brett
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About Charles Brett
English countertenor Charles Brett is one of the leading specialists of the Baroque choral and oratorio repertoire. He studied at King's College, Cambridge, making his London debut in 1965 in a performance of Bach's Magnificat. In 1983, he co-founded the Amaryllis Consort, of which he was also the director. He has made numerous recordings, including Purcell's Fairy Queen (under the baton of Benjamin Britten) and birthday odes, Bach's Mass in B minor, and several Handel oratorios.
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Top Tracks
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Beata Viscera
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Mass in B minor BWV 232, Agnus Dei: Agnus Dei (alto)
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Bach, JS: Mass in B Minor, BWV 232: Agnus Dei
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Handel: Messiah - Part 1 - 5. Air: "But who may abide the day of his coming"
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Aucun ont trouvé
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George Frideric Handel: Messiah - Part 1 - 5. Air: "But who may abide the day of his coming"
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Fair Britain Isle
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Handel: Messiah - Part 2 - 34a. Air: "Thou art gone up on high"
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Cum statua
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Mass in B minor BWV 232, Missa: Qui sedes ad dextram Patris (alto)
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Mass in B Minor, BWV 232: Agnus Dei
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Febus mundo oriens
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J.S. Bach: Magnificat in D Major, BWV 243 - Aria: "Esurientes implevit bonis" (alto)
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Mass in B minor BWV 232, Symbolum Nicenum: Et in unum Dominum (soprano I & alto)
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Handel: Messiah - Part 3 - 50. Air: If God be for us
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Aucun ont trouve
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de Cruce: Aucun ont trouvé
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de Vitry: Cum statua
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Anonymous: Music of the Gothic Era - Ars nova - Febus mundo oriens
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Handel: Messiah - Part 3 - 48. Duet: O death where is thy sting?
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Te Deum, H.146 (1989 Digital Remaster): In te Domine speravi
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Aria: "Esurientes implevit bonis" (alto)
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34a. Air: "Thou art gone up on high"
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48. Duet: O death where is thy sting?
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George Frideric Handel: Messiah - Part 3 - 48. Duet: O death where is thy sting?
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Beata Viscere
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Johann Sebastian Bach: Magnificat in D Major, BWV 243 - Aria: "Esurientes implevit bonis" (alto)
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George Frideric Handel: Messiah - Part 2 - 34a. Air: "Thou art gone up on high"
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5. Air: "But who may abide the day of his coming"
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Messiah - Part 1 : 5. Air: "But who may abide the day of his coming"
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Mass in B minor BWV 232, MISSA: Laudamus te (soprano II)
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George Frideric Handel: Messiah - Part 3 - 50. Air: If God be for us
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50. Air: If God be for us
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O Magnum Mysterium
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Leonin: Music of the Gothic Era - Notre Dame Period - 4. "Locus iste"
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Handel: Messiah - Part 3 - 47. Recitative: Then shall be brought to pass
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Anonymous: Music of the Gothic Era - Ars antiqua - O mitissima
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Ex semine rosa prodit
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Gabrieli: O Magnum Mysterium
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J.S. Bach: Magnificat in D Major, BWV 243 - Aria (Duet): "Et misericordia" (alto, tenor)
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Handel: Messiah / Part 1 - 5. Air: "But who may abide the day of his coming"
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Lasso: S'io esca vivo
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4. "Locus iste"
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Machaut: Qui es promesses
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Messiah - Part 2 : 34a. Air: "Thou art gone up on high"
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Gabrieli: Angelus ad pastores - Transc. Denis Arnold/Edited for performance John Eliot Gardiner
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Angelus ad pastores - Transc. Denis Arnold/Edited for performance John Eliot Gardiner
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Mass in B Minor, BWV 232: IV. Osanna - Agnus Dei (Alto)
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Handel: Messiah, HWV 56 / Pt. 2 - 34a. Air: Thou art gone up on high
50
Magnificat In D Major, BWV 243 : 9. Esurientes implevit bonis
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