
Aldo Clementi (25 May, 1925 - 3 March, 2011) was the last survivor of the great generation of Italian postwar musical avant-gardists. He was also its quietest and most self-effacing member, both personally and musically. After a hesitant start, he developed a technique that allowed him to produce works as calmly consistent in sound and technique as a Renaissance motet, and some would say just as beautiful. His style of decelerating canons has been described as "sharing in the widespread post-serial depression of the 1970s"
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Triplum
Collage II
Scherzo
Impromptu
Impromptu (1989)
Madrigale (1979)
Madrigale
intavolatura
Scherzo (1985)
Fantasia su roBErto FABbriCiAni (1980-81)
Parafrasi 2
Composizione No. 1: I. —
Om dagen i mitt arbete...
Settimino
Settimino (1993)
Fantasia su frammenti di Michelangelo Galilei
Studi
Composizione No. 1: III. —
Due Canoni
Concerto for Piano & 14 Instruments (1986)
Canzonetta
Studi (1956)
Duetto
Composizione No. 1: II. —
GiAn(ca)rlo CArDini (1978)
Adagio
Veni, Creator...
Ouverture
Due Canoni (1994)
... Im Himmelreich
Duetto (1983)
Ouverture (1984)
12 Variazioni
Berceuse
Fantasia su roBErto FABbriCiAni
Canone
Parafrasi for computer-manipulated voice (1981)
Passacaglia
Om dagen i mitt arbete...(1992)
luCiAno Berio
...im Himmelreich (1993)
Collage II - 1960
Passacaglia (1988)
Parafrasi 2 (2004)
Parafrasi
Luciano Berio (1995)
Veni, Creator (1997)
Albumblatt
serenata
Om dagen i mitt arbete... (1992)
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