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Underdog Electronic Music School

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Top Tracks

1

Introduction

365 plays
2

six is acid

249 plays
3

Using chord progressions or intervals

178 plays
4

eight is fullness and emptiness

197 plays
5

3 strategies to make repetitive riffs

157 plays
6

ten is that techno can be light or deep

165 plays
7

The harmonic architecture of a techno track

144 plays
8

Ostinato insistence

147 plays
9

DETUNE YOUR OSCILLATORS

131 plays
10

The techno toot

118 plays
11

Intro

164 plays
12

The ML185 sequencer and Phoscyon

109 plays
13

introduction and examples

77 plays
14

Subtractive synthesis concept

67 plays
15

The ten rules of techno

116 plays
16

Recap of the 3 rules

60 plays
17

Music Theory for Techno

63 plays
18

Getting set up

39 plays
19

Definition of a Polyrhythm

36 plays
20

treating a vocal sound like a synth

34 plays
21

Power Chords

30 plays
22

The Ten Rules of Techno (performance)

36 plays
23

The four magic ingredients

27 plays
24

How to groove at all levels

28 plays
25

Let's play a game...

26 plays
26

this video is about samplers

25 plays
27

Using it with a synth

22 plays
28

Let's play two games

22 plays
29

The synth workout

20 plays
30

Ensuring tonal balance

19 plays
31

How to learn any synthesizer

28 plays
32

Example in Ableton Live

22 plays
33

Resampling your layers

18 plays
34

How to mix loud in practice

20 plays
35

finding things to sample on YouTube

19 plays
36

Sidechaining the Gate

17 plays
37

Dealing with too much movement

17 plays
38

Why your low end sounds amateur (maybe)

21 plays
39

The synth workout on an SH101

16 plays
40

Focus on the groove

15 plays
41

Why your mixes sound thin and weak (probably)

15 plays
42

How to create movement in the timbre

15 plays
43

The value of a limited synth

14 plays
44

The Gate

14 plays
45

syncopation

14 plays
46

The two ways of making a kick

13 plays
47

Confusing down and upbeats

13 plays
48

the talk

13 plays
49

subtractive donques theory

13 plays
50

The 4 rules of techno minimalism

17 plays

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