
Equal parts 1970's American primitivism and 1960's "low brow" aesthete...a synthesis of primevil art realised as the new "garage" romantisism. The quartet is based on an unfounded hypothosis that the "arts" of the lower strata can somehow enlighten the more evolved classes. Jay Wylde studied extensively at the Hardknockes Musikal Academie (3 chord primitive progressions) and the mindset/sociology of "lower-class" social groupings or "tribes", thus making him the logical steward in the wholly new endevour entitled "Thee Wylde Oscars".
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Right Yeah
Big Bad Wolf
What About Me
Right, Yeah
White Light, White Heat
Live Wired
New Direction
Nobody Can Tell Us
All For Naught
I Got A Feeling
L.O.L.
Do The Wylde
It's Inside
Love Reaction
Funny As a Heart Attack
Wylde-Ass Twist
Why Do We Have To Meet In The Dark?
Do the Wylde!
Why Do We Have To Meet In The Dark
Saccharin Rush
Seven Inch Record
He's Not Fooled
Gonna Be Alright
I Dig The Night-Time
Goin' Out This Saturday Night
Outta My Mind
Rosalita
Why Do We Have To Meet In The
Bitter In The End
All The Time
What About Me?
Surely Gone
08.What about me
Ain't No Way
Bended Knees
Deja Voodoo
Can't Be Wasting My Time
Rio Grande
LOL
Nobody Can Tell
Why Do We Have To Meet In The?
Why Do We Have To Meet In The Dar
06 New Direction
05 I Got A Feeling
04 White Light, White Heat
White Light/White Heat
02 Right, Yeah
09 Nobody Can Tell Us
08 Why Do We Have To Meet In The Dar
07 What About Me
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