
The group’s origins can be traced back to 1996 when Micaela, then a member of the Swingle Singers, was approathe gangched by the London Symphony Orchestra to sing Steve Reich’s Tehillim. She and her three female colleagues formed the ideal combination for a piece requiring a seamless vocal blend and rhythmic agility. The vocals were prepared under Micaela’s direction and Steve Reich was so delighted with the results that he asked her to put together another vocal ensemble for his new piece Three Tales
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Blindfold
The River
Recollections
Wiremu on the Rampage
Innocence
The Arrival
Reunion
The Cave
The River Escape
No. 1, The Place Where You Go to Listen
No. 2, Pointed Mountains Scattered All Around
Reich: Tehillim - 1. Part I
Reich: Tehillim - 4. Part IV
Writing on Water
Reich: Tehillim - 2. Part II
increase
Arctic Dreams: No. 7, Where the Waves Splash, Hitting Again and Again
No. 3, The Circle of Suns and Moons
Reich: Tehillim - 3. Part III
No. 4, The Circle of Winds
Arctic Dreams: No. 1, The Place Where You Go to Listen
No. 5, River with No Willows
Adams: Arctic Dreams: No. 1, The Place Where You Go to Listen
Arctic Dreams: No. 2, Pointed Mountains Scattered All Around
Adams: Arctic Dreams: No. 2, Pointed Mountains Scattered All Around
forced march
Adams: Arctic Dreams: No. 3, The Circle of Suns and Moons
Adams: Arctic Dreams: No. 5, River with No Willows
No. 7, Where the Waves Splash, Hitting Again and Again
Arctic Dreams: No. 3, The Circle of Suns and Moons
Adams: Arctic Dreams: No. 4, The Circle of Winds
Adams: Arctic Dreams: No. 7, Where the Waves Splash, Hitting Again and Again
Adams: Arctic Dreams: No. 6, One That Stays All Winter
De Staat: i. Beginning
No. 6, One That Stays All Winter
Arctic Dreams: No. 4, The Circle of Winds
Arctic Dreams: No. 6, One That Stays All Winter
De Staat
Pointed Mountains Scattered All Around
De Staat: ii. Choir 1
The Place Where You Go to Listen
1. Part I
2. Part II
The Changing Game 1 - TCG1
The Changing Game 2 - TCG2
The Circle of Suns and Moons
Andriessen: De Staat
De Staat: iii. Choir 2
pierced (version for chamber ensemble)
3. Part III
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