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Top Tracks
1
581 - A Guide to Good Writing
2
598 - The One with Vince Gilligan
3
600 - McQuarrie Returns
4
76 - How screenwriters find their voice (Encore)
5
SC6 - Sidecast: WGA on Strike
6
590 - Anti-Villains
7
644 - The Power of the Cold Open
8
SC22 - Sidecast: The Double Strike, Day One
9
609 - Dialogue and Character Voice
10
433 - The One with Greta Gerwig (Encore)
11
438 - How to Listen
12
546 - Limited Series
13
569 - Inspiration vs. Motivation
14
SC20 - Sidecast: Heroes and Villains (of the Strike)
15
371 - Writing Memorable Dialogue
16
550 - Entrances and Exits
17
551 - Making the Modern Comedy Series
18
412 - Writing About Mental Health and Addiction (Encore)
19
417 - Idea Management (Encore)
20
655 - Conflict and Stakes Compendium
21
Working It Out: Screenwriting Advice You’ll Actually Use
22
554 - Getting the Gang Back Together
23
624 - Creating Empathy for Your Characters
24
619 - Comedy Episode
25
540 - Nice to Meet-Cute You
26
632 - Mystery and Suspense
27
610 - The Premise
28
626 - Realistic but Distracting
29
454 - That Icky Feeling
30
544 - 20 Questions with Craig
31
577 - The One with Daniels
32
596 - McQuarrie on McQuarrie
33
667 - The One with Justin Kuritzkes
34
How Craig Mazin writes a movie | Scriptnotes Classic (Full Episode)
35
567 - No Stars, Please
36
608 - Scriptnotes LIVE! at Dynasty Typewriter in LA
37
706 - Is TV Better Now?
38
432 - Learning from Movies
39
455 - Police on Screen
40
501 - Patterns of Success
41
606 - Character and Story Fit
42
445 - The One with Phoebe and Ryan
43
456 - Too Much at Once
44
493 - Opening Scenes
45
548 - Made for Streaming
46
547 - Good Energy
47
568 - Writing as Acting
48
579 - Rian Johnson Returns
49
576 - What You're Looking At
50
193 - How Writing Credits Work
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