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Big Rip
Winds Selkirk
art under capitalism at best offers us escapism
drunk formalism(s)
Miniature I
kitsch was ideal for stirring up false sentiment
flexible is the new rigid
above all appearance and before all phenomena
not exemplary but merely different
dissonant light
Green’s Creek, Summer 1995
Miniature II
5 Arlington
lines of force, crossed
liquid grid, thawing
bent teleologies
Cock-Watcher
lake at dusk
Isle of the Dead
Night Train
to the edge of not being itself
Valewood Crescent / Sounds Unlikely
pulse tectonics
clock-watcher
tense entwined bend broken line
Dissonant lLght
it sounds like it is fighting with itself
fragile alliances
Drunk Formalism(s), A
Seven Oaks, 1983
The Pagan Winter, Winnipeg, 1992
desperate measures in a frictional funk
unexchangeable
stumble
Bells Corners, 1981
Crab Park at night, 2007
Ravenous
The Sinking Ship, 2010
Slip, 2012
rigid is the new flexible
Resplendent Darkness
Valewood Crescent/Sounds Unlikely
Horror Film Sleepover, 1992
not enough of one thing to be something else
Nautical
dark matter
Warped Window
Side A
numbed realism
Sleep
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