
"For a long time I've been thinking about how to create spaces into which one can retreat, where one can find quiet, where one can see, hear, where one is able to concentrate, where one is isolated from the world around but still is able to participate in it…by means of art or music or both" - Rolf Julius, 1987 Futurism and Dadaism both made use of the synthesis of audio and visual arts to create a singular experience greater than the sum of its parts.
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Song From The Past
Raining
Music for a Glimpse Inward
Music for a Distance
Music on Two High Poles
Music In A Corner
Music on Two High Poles (1979)
Weitflachig
Music For The Eyes (1981)
fast schwarz
Für Die Erde
Morning Song (Berlin Concert Series, 1981)
Music for a Pane of Glass (1980)
Seestück
Weitflächig
Music for the Earth (Berlin Concert Series, 1981)
White Summerpiece (About 7 Inches High)
tanz auf takashima island 1
Music For The Air
Musik für eine Landschaft
Song
Concert for a Frozen Lake (Berlin Concert Series, 1982)
Yellow (German Gamelan)
Music for a Yellow Room (Berlin Concert Series, 1982)
Musik Für Den Blick Nach Oben
Gamelan 1
Why Pink (Warum Grün)
Chamber Concert for Three Loudspeakers (Berlin Concert Series, 1982)
Black (Moving)
Brazil
Drum Piece
Hörstück
Wet Speakers
Der Bach
Der Klangzaun
Lonely Piano Piece
Für einen kleinen See
Lullaby For The Fishes
Gamelan 2
Vier Schwarze Rechtecke Pt. 1
Vier Schwarze Rechtecke Pt. 2
Lied für einen Morgen
Black (Moving) (1994)
White Summerpiece (About 7 Inches High) (1993)
Morning Song (1981)
Sommerstück (Belèm)
Altes Klavierkonzert (für die Weser)
Neues Klavierkonzert
Lonely Piano Music
Minutenblues
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