
Robert Carl is an American composer living in Hartford, Connecticut and chair of the composition department at the Hartt School of Music, University of Hartford. He studied with Jonathan Kramer, George Rochberg, Ralph Shapey, and Iannis Xenakis. "My work has always been concerned with time. At first this meant inventing musical techniques and forms that allowed for a peculiar flow of musical events, dynamic yet not always straightforward. Later
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Collapsible Mandala
Bullet Cycle
Brown Velvet
A Clean Sweep [for shakuhachi and fixed media]
Duke Meets Mort
Piano Sonata No. 3 "Clouds of Clarification": I. Introduction. Ebb and Flow
A Clean Sweep
The City
White Heron
Night Garden
Piano Sonata No. 3 "Clouds of Clarification": IV. Coda. Consumed by Fire
Piano Sonata No. 3 "Clouds of Clarification": III. Wind Dances. Scherzo
Splectra, Pt. 1
Piano Sonata No. 3 "Clouds of Clarification": II. Earth Processional. Maestoso
Symphony No. 5, "Land": I. Open Prairie
Splectar (2023) for electric guitar with Max processing
Splectra, Pt. 2
A Clean Sweep [for two shakuhachis and fixed media]
Updraft (2009) for ten trombones
What's Underfoot
Terry Riley - In C Episode 1 : Robert Carl
Symphony No. 5, "Land": III. C. Scaling
Symphony No. 5, "Land": V. Land Beyond
Symphony No. 5, "Land": II. High Plains
Surge
Symphony No. 5, "Land": III. A. Facing Mountains
Symphony No. 5, "Land": III. B.1 Shimmering Mists
Symphony No. 5, "Land": III. B.2 Wildflower Meadow
Symphony No. 5, "Land": IV. Above the Tree Line
From the Ground Up (Sonic Etude for Piano)
Roundabout
Blues Box
Infinity Avenue
Updraft
Rocking Chair Serenade
Excavating the Perfect Farewell: I. Digging
Excavating the Perfect Farewell: II. Leave-Taking
Night Garden (2013-14) for five contrabasses
Open for String Trio
Infinity Avenue (2015) for laptop and improvising ensemble
Shake the Tree
El Canto de los Asesinados
Braided Bagatelles: II. Marking the Field
Braided Bagatelles: VI. Flying
What’s Underfoot (Piano Version)
A Gift and an Invitation: II. Fugue
Splectar
Bells Dance, Drums Ring
Nach[t(raum)] ist Kommen
String Quartet No. 2: I. Fear of Death
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