Richard Wilson
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About Richard Wilson
Richard Wilson is the composer of some ninety works in many genres, including opera. He has received such recognition as an Academy Award in Music (from the American Academy of Arts and Letters), the Hinrichsen Award (from the American Academy of Arts and Letters), the Stoeger Prize (from the Chamber Music Society of Lincoln Center), the Cleveland Arts Prize (from the Women's City Club of Cleveland), and a Guggenheim Fellowship. Recent commissions have come from the Koussevitsky and Fromm Foundations.
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Top Tracks
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Like as the waves make towards the pebbled shore
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Sonnet 60 | Like as the waves make towards the pebbled shore
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Like as the waves make towards the pebbles shore (LX)
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Gravitas: III
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Gravitas: II
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One Foot In The Grave (Original 7" Mix)
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Gravitas
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One Foot In The Grave (Wireless Mix)
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Breaking All The Rules (Shayne Berry remix)
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One Foot In The Grave (Adesso "Lack Of Belief" Mix)
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Breaking All The Rules (Jez Brewin remix)
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Eclogue
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I go blind
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Sour Flowers: March
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Blame it on me
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Things we have done
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Breaking All The Rules (original mix)
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Gravitas: VI
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Gravitas: VII
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Organ Interlude
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One Foot In The Grave (Karaoke Mix)
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Three Short Pieces for Piano: I
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First time
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One Foot In The Grave (Adesso 7" Remix)
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Wherever You Go
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Sour Flowers: Benediction
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Sour Flowers: Tarantella
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Live Once More
29
Sour Flowers: Arabesque
30
Concert Piece for Violin and Piano
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Heart of the South
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Sour Flowers: Valediction
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Believe It! 1 of 4
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Three Short Pieces for Piano: II
35
You Know My Name-Inst.
36
Aethelred The Unready, An Opera in Seven Scenes: Prelude & Scene I
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Aethelred The Unready, An Opera in Seven Scenes: Scene II
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Pink Panther Theme
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Back To Julie
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temptest
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The Ballad of Longwood Glen
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Sour Flowers: Waltz
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Aethelred The Unready, An Opera in Seven Scenes: Scene VII
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We Live Before We Die
45
Music For Solo Flute
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Time To Lose Your Hurting
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Aethelred The Unready, An Opera in Seven Scenes: Scene III
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Aethelred The Unready, An Opera in Seven Scenes: Scenes IV & V
49
Concerto for Piano and Orchestra: I. Rhapsody
50
String Quartet No. 3: I. Prelude
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