Remigijus Merkelys puts his faith mostly in rational methods of composing. In over 15 years, he has more than once tried to change or transgress what had become identified as unmistakably his style of writing. As a result, he has usually constructed either complex, or deliberately stripped-down structures. In his early compositions the composer, former choir leader, explored articulatory and expressive possibilities of voice as "the least developed of instruments" (Iter Balticum, 1990, Liber…, 1991, Missa l’homme armé, 1991).
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FlaVio
MiKonst
Compass
im pulse for trumpet, trombone and tape (1996)
Existence (Axis Tension) for orchestra (1994)
Seventh Heaven for two pianos & orchestra (2002) - II
jono narvelio rezurekcija
Compass, for ensemble (2003)
Seventh Heaven for two pianos & orchestra (2002) - I
Compass (2003)
Seventh Heaven. 1st movement (2002)
Seventh Heaven. 2nd movement
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