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Second Construction
Imaginary Landscape No. 2
Amores II
Double Music
She is Asleep I
Amores IV
Amores III
Thrid Construction
Amores I
She is Asleep II
third construction
First Construction (In Metal)
credo in us
imaginary landscape n°1
inlets
Imaginery Lanscape N°3
but what about the noise of crumpling paper which he used to do in order to paint the series of «papiers froissés» or tearing up paper to make «papiers déchirés?» arp was stimulated by water (sea, lake and flowing waters like rivers), forests
Second Construction (1940)
Imaginary Landscape No.2
Amores III Trio: 7 blocs de bois (non chinois)
Third Construction (1941)
Double Music (1941)
First Construction (in metal) (1939)
Imaginary Landscape No. 2 (1942)
Imaginary Landscapes No. 2
Amores
She is asleep
First Construction
Imaginary Landscape No. 3
Imaginary Landscape No. 1
She is Asleep (1943)
Amores - Trio: 9 Tom-Toms
John Cage - Third Construction
She is Asleep II (1943)
Cage-Harrison, Double Music
She is Asleep, for voice, prepared piano & 4 percussion: 1. Quartet: 12 tom-toms
She is Asleep, for voice, prepared piano & 4 percussion: 2. Duo: voix et piano préparé
First Construction (In Metal), for 6 percussionists
Amores - II. Trio: 9 tom-toms
She Is Asleep - I. Quartet: 12 tom-toms
Amore Si
Amores - III. Trio: 7 blocs de bois (non chinois)
But What About the Noise of Crumpling Paper Which He Used to Do in Order to Paint the Series of “Papiers froissés” or Tearing Up Paper to Make “Papiers déchirés?” Arp Was Stimulated by Water (Sea, Lake and Flowing Waters Like Rivers), Forests
Amores II Trio: 9 tom-toms
She Is Asleep - Duo: Voix Et Piano Prepare
but what about the noise of crumbling paper which he used to do in order to paint the series of "papiers froissés" or tearing up papers to make "papiers déchirés"? arp was stimulated by water (sea, lake and flowing waters like rivers), forests
Amores - Solo Piano Prepare
Amores - Trio: 7 Bloc De Bois (Non Chinois)
Amores - Solo: Piano Prepare
Double Music - En Collabaration Avec Lou Harrison
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