
This Southern musician's early start helped him get a foot in the door of many of the most innovative and most popular jazz combos of the day, where he emerged as a member well-respected by his fellow players but largely forgotten by the listening public. He was self-taught on the clarinet and began wailing with local bands less than a year after he started playing at 14. He headed for New York City in 1923 after a few years of knocking around the local scene.
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Azaad Hoon
Ain't My Cross To Bear
Oh Pretty Woman
Iko Iko
Don't Answer The Door
Crosscut Saw
Good Morning Little School Girl
Domine Secundum
Hoochie Coochie Man
Mary Ann
I'm Ready
Born Under A Bad Sign
Drivin' Wheel
You Don't Love Me
Frontline
Love Theme From "Spartacus"
In Effigy
Bullet For Lisa
Bleed to Understand
Everyone Has Got To Go
No Way Back
Cloak & Dagger Man
As The Years Go Passing By
Feed On the Fiction
Monsters At Your Feet
Hard To Say Goodbye
Sick As The Secrets
Far Side Of Midnite
Not To Be
High Cost Of Living So Low
Night Life
Little Murderess
Burning Desire
Tiananmen Square Dance
One Last Angel
Remnant
They Can't Take That Away From Me
As I Watch The City Die
The Conqueror Worm
One for Little Joe
Sittin' On the Dock of the Bay
A Dream Within a Dream
Safe Passage
Expiation
Bitch Magnet
My Foolish Heart
Ain't Misbehavin'
The Thrill is Gone
Bum's Rush Hour
Miravo con Fiso
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