
Ottoman court music has a large and varied system of modes or scales known as makams, and other rules of composition. A number of notation systems were used for transcribing classical music, the most dominant being the Hamparsum notation in use until the gradual introduction of western notation. Turkish classical music is taught in conservatories and social clubs, the most respected of which is Istanbul's Üsküdar Musiki Cemiyeti. A specific sequence of classical Turkish musical forms become a fasıl
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Sufi islamic Song (الدولة العثمانية) Nasheed Ilahi
Sufi islamic Song
Persian-Arabic Dances
Turske Igre
Alba (Spain)
Laili Djan (Afghanistan)
Shepard's Tune (Syria)
Chahamezrab
Three Turkish Dances
Molâ Mâmad Djân
Sufi islamic Song (الدولة العثمانية) Nasheed Ilahi
Ghazali (Morocco)
Sallatu Allah
The Original Melody of - يا بنات اسكندرية
bir gün o güzel
Voices Of Peace Arabic
Bazouki Sans Prepice
biz heybelide
Arabic Chant, Temple Of The Dome Of The Rock- Ibn Battuta (ca.1377)
Muhtesem Yuzyil - Hurremin Dan
B'tayhi-M'saddar (Andalusia)
War March
March Of The Bey's Soldiers When Besieging Belgrade
The Dream Of Suleiman The Magnificent (1520)
Hardi (Radif)
Yekchoubeh (Radif)
Dance Of Soma
Danse De L'ame (Morocco)
Shepard's Tune
17th Century - by Ali Ufki _ 1600 - Nihâvend Saz Semâîsi
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