
Described as possessing "an unconventional lyricism and a menacing beauty" and a “unique voice”, British/American composer Oscar Bettison's music has been commissioned and performed by leading ensembles and soloists around the world. His work demonstrates a willingness to work within and outside the confines of concert music. He likes to work with what he calls "Cinderella instruments", either by making percussion instruments or by re-imagining
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B and E (with aggravated assault)
B&E (with aggravated assault)
Threaded Madrigals for Solo Viola
Presence of Absence: I. Shrines or Satellites
La Hija Del Neón for Cello, Piano and Electric Guitar
Junk
I am a Garden Adorned
Presence of Absence: II. In Shards
[Fig. 3]
Cadence
Presence of Absence: III. The Ruin
Presence of Absence: IV. Eigengrau
Livre des sauvages: I. Curious Fauna, Some of It Murderous
Livre des sauvages: III. Treasure Ships and Heretical Ceremonies
Livre Des Sauvages: II. Alchemy Or A New Religion
Bone Chapel
Presence of Absence: V. Lichtenberg Figures
Oscar Bettison: B&E (with aggravated assault)
Gauze Vespers 1 (Soil studio recording)
Gauze Vespers 4 (Soil studio recording)
Chorus I
Neolithic Airs
La Hija del Neón
O Death: I. Chorus I
O Death: II. Bone Chapel
O Death: III. Take Leave Of Carnal Vain Delight
O Death: IV. O Death
O Death: V. Chorus II
O Death: VI. I Believe I'm Sinking Down
O Death: VII. Lights In Ashes
Bird Forms On A Neutral Background
Livre des Sauvages I
O Death
O Death - I Believe I'm Sinking Down
O Death - Bone Chapel
O Death - Take Leave Of Carnal Vain Delight
O Death - O Death
An Automated Sunrise
O Death I
Gauze Vespers 2 (Soil studio recording)
Gauze Vespers 3 (Soil studio recording)
I. Chorus
II. Bone Chapel
VII. Lights in Ashes
Gauze Vespers
Ear Tease: The sound world of Oscar Bettison
Take Leave of Carnal Vain Delight
Chorus II
I Believe I'm Sinking Down
Lights in Ashes
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