
NIGRO MANTIA had a totally unique musical concept. MERCYFUL FATE-like riffing, but of a very laid out, almost soundscape-ish dimension. The singer is somewhere out in space, “feeling the exploding orgasm”, as he sings. Stunning (dis-) harmonies, layers of musical texture, but all very held back, subtle. What also strikes me is that the whole thing doesn’t come over as “epic”, wagnerian Metal at all. There’s no “glory”, no pathetic expressionism, but a very, may I say, gentle introspection.
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Bells Ringing for the Fatal Hour
Monolith of Infinity
Death Romance
Death Romance (Phase One)
Death Romance (Phase 1)
01 Bells Ringing for the Fatal Hour
02 Death Romance
03 Monolith of Infinity
Bells ringing for the fatal Ho
Nells Ringing for the Fatal Hour
Monolith of Infinity (Demo 1984)
Bells Ringing for The Final Hour
Bells ringing for the fatal Hour (Demo 1984)
I Know the Words You'll Say to Me
Death Romance (Phase I)
Death Romance - Phase One
ringing for the fatal hour
Bells Ringing the Fatal Hour
Monolith of Infinit
n02 Death Romance
Bells Ringing for the Fatal Hou
01 - Bells Ringing for the Fatal Hour
02 - Death Romance
01 - Bells Ringing for the Fa
Monolith of Infinity: i. Fascination ii. Stiumulation iii. Dissociation iv. Confronation v. Realization
Monolith Of Infinity: I. Fascination / II. Stimulation / III. Dissociation / IV. Confrontation / V. Realization
Poetry Of Subculture
Poetry Of Subculture (Demo) (Full Demo)
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