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Fable Ineffable - Baleines, dauphins, loups et orchestre à cordes
The Prey’s Prayer - Chouette chevêchette, sonneur à ventre jaune, siffleur de montagne, alyte, locustelle fluviatile, plongeon imbrin, œdicnème criard, milan noir, pigeon ramier, sirli du désert...
María de Buenos Aires, Pt. 1: Part I Scene 5: Fuga y Misterio
María de Buenos Aires, Pt. 1: Part I Scene 2: Tema de María
Aer
Ager
Amok Koma: Amok Koma
María de Buenos Aires, Pt. 2: Part II Scene 14: Allegro Tangabile
Ignis
Aedes
Flowing down too slow: Flowing down too slow
Preces
Agnus Dei
Candens
Pulsus
Aether
Somnia
Nell alto dei giorni immobili: Nell alto dei giorni immobili
JIAO: Sinfonia Concertante for String Orchestra, Amplified Vibraphone, Campanelli, Celesta and Clavinova
Lucus
Salientes
The Nameless City: The Nameless City
María de Buenos Aires, Pt. 2: Part II Scene 10: Tangata del Alba
Wasserpiano
Chambres d’à côté: Chambre # 1
Domeniche alla periferia dell impero: Domeniche alla periferia dell impero
Nenia
Voces
Ales
The Little Gig in the Sky
Appars
Amok Koma
Flowing Down Too Slow
Le Rêve de Diotime
Aes
Asato ma sat gamaya
Numina
Sextuor à clavier
Interstellar Cloud
Lachrymae pavan, P. 15
Voûte étoilée
Chambres d'à côté
The Nameless City
Für Alina
La Seconde apothéose de Rameau pour 21 instruments: La Secon
Le Christ aux oliviers
Leaf-Coloring Mantra
Meditaction
Oblivion (Arr. Pierre Quiriny)
Tu seras là
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