
What is in the Museum Of No Art? Not paintings, but visions. Not sculptures, but empty spaces full of potential. It is within this inverted gallery that Mona Steinwidder traces fabulous forms with synthesizer, clarinet and effects. Under the moniker Museum Of No Art, she has created an album that floats in a hazy lacuna between realities, rooted in propulsive and deep bass resonance, but also footloose, playfully deconstructing language and mixing in layers of echoing synthetic and organic tones.
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Fabulous Youth
Minimal Default on a Clear Blue Day
A Nameless Person Tries To Describe Herself
La Grotta
Three Years Later (The Formation of a New Animal)
Form and Focus
A Melting Tree
Eternal Explorer
Subconscious Message
Orchideengarten Ruse
Flight on Carpet (Digital Bonus)
Textile Trance
One Night At The Pool
Travelling At The Speed of Time I
Sunbeams On Your Car
Hypnosis And Mud
Travelling At The Speed of Time III
Travelling At The Speed of Time IV
A Line Has Two Sides
Travelling At The Speed of Time II
I miei cani giocano quando piove
I Just Realized That There Is a Lot of Slime in This World. It ́s Almost Everywhere. In Your Body, in Your Coffee, in Your Words, in the Politics and in the Ocean.
Soften yourself in my liquidness
Soaking up the Whole Lake
Two People Climb the Trees
Blaue Pflanze
Drip
Where the Ground is Soft as Dough
Percussive Expressive
End of January
Beginning of February
Spirals and Nonsense
A Collection of Knives
Time for Questions
A Sepent Called Emit
Waiting for Natural Light to Arrive
Three Years Later
Let Me Spy Your Mind
Textile Trance (spell by Mehrnaz Rohbakhsh)
Flight on Carpet
Gong While Someone Falls Asleep
Drip - Red on Remix
A Serpent Called Emit
Drip - Lorin Strohm Rework
textile trance ( spell cast by mehrnaz rohbakhsh)
Traveling at the speed of time 1
To Peep
08 Textile Trance
3 Years Later (The Formation of a New Animal)
I Just Realized That There Is a Lot of Slime in This World. It's Almost Everywhere. In Your Body, in Your Coffee, in Your Words, in the Politics and in the Ocean.
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