
He was born to a Persian Jewish family in Isfahan during the Qajar times. His family was satiated with music and he began to love music at an early age. His father Bala Khan played the tonbak, and the sound of instruments played by the musicians of the time echoed in their music-loving Persian Jewish household. Neydavoud taught himself to play the tar at an early age. Recognizing his son’s talent in music, the elder Neydavoud apprenticed the seven-year-old to Ramazan Khan Zolfaqari who was a student of the great master of the tar
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Afshari
Shur: Panje Kordi II
Shur: Panje Kordi I
mahur
Shur: Shahr-ashub
Shur: Gereyli
Shur: Kereshme I
Shur: Mohammad Sadeq-Khani I
Shur: Hoseyni
Shur: Avaz II
Shur: Hazin
Shur: Naghme
Shur: Qarache
Shur: Razavi
Dastgah Shur (Bayat Kord, Oshshaq)
Mahur: Chaharmezrab
Abuata: Chaharpare
Chahargah: Muye
Nava: Hazin I
Shur: Chaharmezrab
Shur: Kereshme II
Shur: Majles-Afruz
Shur: Shahnaz
Abuata: Baghdadi
Abuata: Dotayeki
Shur: Avaz I
Shur: Daramad
Shur: First, Second and Third Daramad
Shur: Gloriz
Shur: Mollanazi
Shur: Qajar
Shur: Safa I
Bayat-e Tork: Chaharmezrab
Bayat-e Tork: Mohammad Sadeq-Khani
Chahargah: Rajaz
Chahargah: Zangule I
Abuata: Ramkeli
Homayun: Zang-e Shotor
Mahur: Daramad I
Mahur: Kharazmi
Nava: Hazin II
Nava: Zangule
Abuata: Avaz
Abuata: Chaharmezrab
Abuata: Daramad
Abuata: Hejaz
Abuata: Sayakhi
Bayat-e Tork: Masnavi
Bayat-e Tork: Mehdi-Zarrabi
Bayat-e Tork: Ruh-ol-Arvah
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