The Monk of Salzburg (German: Mönch von Salzburg) was a German composer of the late 14th century. He worked at the court of the Salzburg archbishop Pilgrim von Puchheim (1365–96); more than 100 Liederhandschriften (manuscripts) in Early New High German are attributed to him. His name and monastic order is unknown; some of the introductions to the manuscript sources mention the names Herman, Johans, and Hanns and describe him as either Benedictine or Dominican.
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Das nachthorn
Das kchuhorn - Untarnslaf
Von anegeng der sunne kchlar
Ich klag dir traut gesell
Ich het czu hannt geloket mir
Das kchuhorn
Weib aller frëwden überkrön, W41
Wenn ich betracht
Wer ich ain stund, das ich von mund, W49 (Arr. for Harp by Anne-Suse Enßle)
Pey perlin und pey spangen, W17 (Arr. for Medieval String Instruments, Recorders, Medieval Percussion and Voice by Philipp Lamprecht)
O Maria pya
Dem allerlibsten schönsten weib, W7 (Arr. for Recorder and Organetto by Philipp Lamprecht)
Von anegeng der sunne kchlar, G. 21
Maria ward ein pot gesanndt
Recitation from W49
Benedicite "Fron her du bist in ewigkait"
Heyligs kreucz ein paum gar aine
Das guldein vingerlein des munchs / Mein trost Maria raine mait
West du es recht liebs frewlein czart, W46
Rezitation from W46
Wenn ich betracht die gueten nacht, W20
Ain mensch erfreut all mein natur, W9 (Arr. for Organetto, Recorder and Voice by Philipp Lamprecht)
Estampie on W41 (Arr. for Recorder and Medieval Percussion by Anne-Suse Enßle)
Traut allerliebstes frewlein czart, W28 (Arr. for Historical Xylophone and Harp by Philipp Lamprecht)
Estampie on W46 (Arr. for Recorder, One-Handed Flute and Medieval Percussion by Anne-Suse Enßle)
Iv ich jag nacht und tag, W31: Iv ich jag nacht und tag, W31 (Arr. for Medieval Fiddle, Recorder and Dulcimer by Philipp Lamprecht)
Instrumental based on a melisma from G23 (Arr. for Recorder and Salterio by Philipp Lamprecht)
Das kchúhorn - Untarnslaf
Estampie on W26 (Arr. for Recorder and Medieval Percussion by Anne-Suse Enßle)
Passion song based on the Nicodemus Gospel, G23: VIII. Zu complet, G23
Gar leis in senfter weis, W2 (Arr. for Recorder, Hurdy-Gurdy and Voice by Philipp Lamprecht)
Passion song based on the Nicodemus Gospel, G23: IV. Geseczet wart Jhesus, G23
Passion song based on the Nicodemus Gospel, G23: V. Die juden teilten sin gewant, G23
Passion song based on the Nicodemus Gospel, G23: II. Gein Zedron ging Jhesus, G23
Passion song based on the Nicodemus Gospel, G23: III. Zu prymzyt, G23
Passion song based on the Nicodemus Gospel, G23: VI. Jhesus enpfalch sin muter, G23
Benedicite "Die triualt in dem obresten tron"
Passion song based on the Nicodemus Gospel, G23: I. Die nacht wirt schier dez hymmels gast, G23
Instrumental based on G23 (Arr. for Harp and Dulcimer by Philipp Lamprecht)
Passion song based on the Nicodemus Gospel, G23: VII. Man brach den schachern ire beyn, G23
Eya der grossen liewe (G24) [Arr. for Voice, Recorder and Vielle by Philippe Lamprecht]
Ob allen wundern wundert mynn, W12 (Arr. for Recorder and One-Handed Flute by Philipp Lamprecht)
Phuech, ruemer, lugner, klaffer, W45 (Arr. for Recorders, Percussion and Voice by Philipp Lamprecht)
Vil maniger geud von sweigen sich, W32 (Arr. for Medieval Double Recorder by Anne-Suse Enßle)
Passion song based on the Nicodemus Gospel, G23: IX. Ein absteig die besliessung, G23 (Arr. for Recorder and Bells by Anne-Suse Enssle)
Rezitation from W2
Maidleich pluem
O Maria pya, G. 9
Heyligs kreucz ein paum gar aine, G. 25
Maria pis gegrüsset
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