Mohammed Haddad
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About Mohammed Haddad
Mohammad Haddad is a Bahraini composer and music critic, an active artist in the film scores of Bahraini films. He picked up the Lute and made it his major instrument until he flew to Cairo to pursue a degree in music composition and conducting at the Cairo Conservatory of Music, focusing on the Piano. Armed by a very western Piano in one hand, and an extremely eastern Lute in the other, with enough power to bridge the gap between the two worlds of east and west
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Top Tracks
1
A Bahraini Tale (Main Theme)
2
I’m Jewish, But Bahraini (Yahya's Theme)
3
Lacrimosa
4
Transformations of Tarafa
5
Ibn Yaamen
6
Temple of the Body
7
Road to Alheera
8
...Kindred
9
Peaceful Morning
10
Khawla Alone
11
The Palanquin's Knights
12
Khalifa's Theme
13
Munira's Escape (Main Theme - Solo Piano)
14
Pigeon's Weep (Ya Thabteh)
15
Abdulla Khamis' House - Part I
16
Freedom
17
Theo
18
Oh Girl, I Love You!
19
Stains
20
Jaded Canvas
21
The Neighborhood
22
Pigeon's Souq
23
Abdel Nasser's Death (Ending Theme)
24
Abdulla Khamis’ House - Part II
25
The Return of the Poet (Khawla's Recall)
26
Tavern of Love
27
Arles: Lieve Willemina
28
Am I Really Dead?
29
Almond Blossom
30
Brassy Bee
31
Love Theme
32
Mother's Theme
33
Fatima's Death (She’s dead!)
34
Fatima In The Eyes Of Khalifa
35
Sketch 2 (The Angelus)
36
Oh Coal, My Lord!
37
Kindred
38
Sketch 1 (Girl Kneeling by a Cradle)
39
Rouhi we Zadi
40
Transformation Of Tarafa
41
The Palanqin's Knights
42
The Return Of The Poet
43
El Hula (Hopp)
44
Madha Al-Sidqou
45
Tarneemah
46
We Have To Do It
47
Tavern Of Love - حانة حب
48
Grievance (Ending Theme) شكوى
49
Tarneemah - ترنيمة
50
Al-Fajr
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