
Mohammad Haddad is a Bahraini composer and music critic, an active artist in the film scores of Bahraini films. He picked up the Lute and made it his major instrument until he flew to Cairo to pursue a degree in music composition and conducting at the Cairo Conservatory of Music, focusing on the Piano. Armed by a very western Piano in one hand, and an extremely eastern Lute in the other, with enough power to bridge the gap between the two worlds of east and west
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A Bahraini Tale (Main Theme)
I’m Jewish, But Bahraini (Yahya's Theme)
Lacrimosa
Transformations of Tarafa
Ibn Yaamen
Temple of the Body
Road to Alheera
...Kindred
Peaceful Morning
Khawla Alone
The Palanquin's Knights
Khalifa's Theme
Munira's Escape (Main Theme - Solo Piano)
Pigeon's Weep (Ya Thabteh)
Abdulla Khamis' House - Part I
Freedom
Theo
Oh Girl, I Love You!
Stains
Jaded Canvas
The Neighborhood
Pigeon's Souq
Abdel Nasser's Death (Ending Theme)
Abdulla Khamis’ House - Part II
The Return of the Poet (Khawla's Recall)
Tavern of Love
Arles: Lieve Willemina
Am I Really Dead?
Almond Blossom
Brassy Bee
Love Theme
Mother's Theme
Fatima's Death (She’s dead!)
Fatima In The Eyes Of Khalifa
Sketch 2 (The Angelus)
Oh Coal, My Lord!
Kindred
Sketch 1 (Girl Kneeling by a Cradle)
Rouhi we Zadi
Transformation Of Tarafa
The Palanqin's Knights
The Return Of The Poet
El Hula (Hopp)
Madha Al-Sidqou
Tarneemah
We Have To Do It
Tavern Of Love - حانة حب
Grievance (Ending Theme) شكوى
Tarneemah - ترنيمة
Al-Fajr
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