
Michael Levy is a daring, experimental self-taught musician & prolific composer, who since 2006, has focused his unique skills, at both intensively researching & recreating the ancient playing-techniques of the lyres of antiquity. Basing these techniques from both illustrations of ancient lyre players and the various playing-techniques still practiced today in Africa, he has independently produced 14 albums of ancient lyre music in just over 3 years...
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"Hurrian Hymn no. 6" (c.1400BCE) - Ancient Mesopotamian Musical Fragment
The First Delphic Hymn To Apollo (Ancient Greek Melody c.138 BCE - Arranged For Replica Lyre)
Ode To Aphrodite (Original Composition For Replica Lyre in the Ancient Greek Hypodorian Mode)
Epitaph of Seikilos (Complete Ancient Greek Melody Composed by Seikilos, Son of Euterpe, 1st Century CE - Arranged For Replica Lyre)
Echoes of Ancient Rome (Original Composition for Replica Lyre in the Ancient Phrygian Mode)
Ode to Ancient Rome (Original Composition For Lyre in the Ancient Phrygian Mode)
Hurrian Hymn
The Temple of Mars (Original Composition for Replica Lyre in the Ancient Dorian Mode)
Hymn To The Muse (Mesomedes of Crete, c.130 CE - Arranged For Replica Lyre)
Mount Olympus (Original Composition For Replica Lyre in the Ancient Greek Hypophrygian Mode)
Ancient Greek Musical Fragment (Kolon Exasimon, Anonymi Bellermann 97- Arranged For Replica Lyre)
Lament of Simonides (Ancient Greek Musical Fragment - Arranged For Replica Lyre)
Hurrian Hymn (Ancient Mesopotamian Musical Fragment c.1400BCE, Arranged For Replica 3000 Year Old Lyre)
The Temple of Venus (Original Composition for Replica Lyre in the Ancient Hypolydian Mode)
Ode To Athena (Composition In The Ancient Greek Hypodorian Mode)
"Echoes of Ancient Egypt" - Improvisation On An Ancient Egyptian Scale
"Song of Seikilos" (c.200 BCE - 100 CE) - Complete Ancient Greek Melody
Ode to Aphrodite
Apollo's Lyre (Composition In The Ancient Greek Hypophrygian Mode)
The Sorcery of Sentience
"I Saw The Moon" - Traditional Egyptian Folk Song
My Heart Was Burnt By Love (Egyptian Folk Song Arranged For Archaic Arched Harp)
Hymn To Hermes (Original Composition For Replica Lyre in the Ancient Greek Lydian Mode)
The Celestial Nile (Original Composition For Archaic Arched Harp)
Ancient Greek Musical Fragment (Poem. Mor 1, 11f. Migne 37, 523 - Arranged For Replica Lyre)
"The First Delphic"Hymn to Apollo" (c.138 BCE) - Ancient Greek Musical Fragment
Ancient Greek Musical Fragment (Poem. Mor 1, 11f. Migne 37, 523 - Arranged for Solo Lyre in the Just Intonation of Antiquity)
"Salah" - Traditional Egyptian Folk Song
"Anonymi Bellerman 97" - Ancient Greek Music Fragment
Hymn to Persephone
The Temple of Saturn (Original Composition for Replica Lyre in the Ancient Hypodorian Mode)
"My Heart Was Burnt By Love" - Traditional Egyptian Folk Song
Nero's Lyre (Lament for Solo Lyre in the Ancient Greek Phrygian Mode)
The Temple of Jupiter (Original Composition for Replica Lyre in the Ancient Lydian Mode)
"Hymn to the Muse" (2nd Century CE) - Ancient Greek Musical Fragment
Paean (Original Composition For Replica Lyre in the Ancient Greek Dorian Mode)
Hymn To Zeus (Composition In The Ancient Greek Dorian Mode)
Tradition
"An Ancient Lyre" - Improvisation On An Ancient Indian Scale
"I Sing" - Traditional Egyptian Folk Song
“Glory Of The Parthenon” (Composition For Lyre In The Ancient Greek Phrygian Mode)
“The Sanctuary Of Apollo” (Composition For Lyre In The Ancient Greek Hypophrygian Mode)
Epitaph of Seikilos (Ancient Greek Music Arranged for Solo Lyre in the Just Intonation of Antiquity)
Sacred Flame of Vesta (Original Composition For Lyre in the Ancient Hypophrygian Mode)
Ancient Harps of Kemet (Improvisation on an Ancient Egyptian Scale Performed on Archaic Arched Harp)
Amatores (Lovers)
Ode To Orpheus (Composition In The Ancient Greek Hypodorian Mode)
Procession of the Vestal Virgins (Original Composition for Replica Lyre in the Ancient Hypophrygian Mode)
Ode To Aion (Original Composition For Replica Lyre in the Ancient Greek Phrygian Mode)
"Sar A Lay" - Traditional Egyptian Folk Song
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