
Michael Francis Duch, born 1978 in Trondheim, Norway. Michael Francis Duch works with a wide variety of performing arts, and has for the last few years been devoted to the open form graphic scores of Feldman, Wolff, Brown and Cage, and more recently the music of Cornelius Cardew. He has studied the double bass with Göran Sjølin at the Music Conservatory of Trondheim in the period of 1998-2006. His main area as a musician has been with improvised music
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Tomba Emmanuelle
December 1952
Edges
Octet '61
For Strings
Projection 1
Projection 1 (Morton Feldman)
Concerto for clar. in A and tape - Opus 131 nr 7
practice-violence
Rondo for Michael
Moving the Stones: Air
Moving the Stones: Tremolo
Moving the Stones: Extremes
Moving the Stones: Combinations
Moving the Stones: Moving the Stones
Octet ’61
mind is moving (IV) part I
Edges (Christian Wolff)
December 1952 (Earle Brown)
For Strings (Howard Skempton)
mind is moving (IV) Part II
Tomba Emmanuelle (Part 1)
Concerto for clar. basso and tape - Opus 131 nr 8
Octet ’61 (Cornelius Cardew)
Concerto for contr.basso and tape - Opus 131 nr. 21
mind is moving (IV): Part I
mind is moving (IV) Part III
mind is moving (IV) Part IV
Tomba Emmanuelle (Part 2)
Octet '61 (Cornelius Scardew)
Edges - For Any Number Of Performers [1968]
December 1952 [1952]
Octet '61 For Jasper Johns [1961]
Projection 1 - For Cello [1950]
For Strings [1969]
Sonata nr. 1 for c.basso - Opus 125 nr. 51
Part II
The Gråmølna Solo 2
Octet ´61
Mind Is Moving (Iv) Part 1
A1 mind is moving (IV) part 1
B1 mind is moving (IV) part 2
C1 mind is moving (IV) part 3
D1 mind is moving (IV) part 4
mind is moving (IV)
mind is moving (IV): Part II
mind is moving (IV): Part III
mind is moving (IV): Part IV
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