
A native San Franciscan, Matthew Goodheart has gained an international reputation as a composer, improviser, and sound artist. Following an early career as a free-jazz pianist, he has created a wide spectrum of often unusual sounds that explore the relationships among performer, instrument, and listener. His work ranges from large-scale microtonal compositions to open improvisations and immersive sound installations – all unified by the analytic
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Piano Improvisations (Excerpt)
III
In the Water of Emanations
Invocation I
Small Study
Refraction Synthesis
I
Condensations
Sound into Light
Under Focus (Glenn's Lens)
II
Sparks from the Ancient Sea
Toronto - I
Cambridge - II
IV
Toronto - II
Berkeley
Apparition #3
Structure for Piano No. 2
Cambridge - I
Köln
Variations on a Theme by Alvin Curran
Can One Letter 'Om?' (for Ornette Coleman)
Shaker Melody
Istanbul
Berlin Head Metal--III
Apparition #1
Toronto - III
Prelude in Disintegrations
Refraction Interlude: clarinet
Involation I - Homage to the Grandfather, Confluence
Tenri / Live
Impulse Response Variations
Berlin Head Metal I
Closing Forms
Apparition #2
Can One Letter \'Om?\' (for Ornette Coleman)
Under Focus (Glenns Lens)
A Dream of Whispering
Suite of Talking Music II
Utterance I (Melody for Wadada)
Berlin Head Metal - III
Apparition #5
Hard Count
Between-Play
Conference
Berlin Head Metal - I
Invocation 1
Rhythm-a-ning
Well You Needn't
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