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Top Tracks
1
Alex Estrada: Capturing the Feel of a Musician
2
EP 206: Andrew Scheps: Streamlining Your Mixing Workflow (Revisited)
3
EP 278: Kurt Ballou: Executing Your Vision
4
Chris Athens: Creating Traction With Your Career
5
Bob Horn: Getting Big, Clear Low-End
6
Shane Edwards: Mixing Vocals With Serial Compression
7
Joe McGrath: Making the Most of What You Already Have
8
Joe Lambert: The Process of Mastering
9
George Perks: Making Exciting Mixes
10
Ryan Schwabe: Using Clipping To Your Advantage
11
EP 202 Ryan Schwabe: Usingping To Your Advantage
12
Ryan Ordway: Writing Songs for Sync
13
McKay Garner: Licensing your music for film & TV
14
Frederic Archambault: Succeeding In The Music Business
15
Jim Anderson: Working with Reverbs
16
Susan Rogers: What Makes Music Exciting?
17
Johan Holmström: Composing For Video Games
18
Masters for Streaming
19
EP 207: Andrew Maury: How to “Feel” Your Mixes
20
Graham Walsh: Being Experimental During Production
21
EP 294: Barrett Jones: Getting Mix-Ready Sounds During Tracking
22
David Trumfio: The Future of Studio Ownership
23
Danny Reisch: Creating an Inspiring Studio Environment
24
Anton DeLost: Co-Writing With Artists
25
Alex Newport: Embracing Imperfection
26
Joe Reinhart: Building Flexible Templates
27
Matt Bishop: Reverse-Engineering Records
28
Martin Cooke: Getting an Analog Sound in Digital
29
Matt Foster: Creating Contrast Within Your Mixes
30
David Bendeth: Adapting to Change (Revisited)
31
John Burke: Achieving a Perfect Vocal Sound
32
Marcela Rada: The Role of Education in Audio
33
Mixing vs mastering
34
Keeping objectivity
35
Understand your speakers
36
Dynamic Range Day
37
Focus on the majority
38
Dynamic range
39
Dynamic range plugin
40
Michael Pepe: Writing Songs That Have Feeling
41
Simon Grove: How to Get Killer Bass Tones (Revisited)
42
Spencer Hoad: Leaning Into Saturation
43
Angel Marcloid: Rules Meant to be Followed & Broken
44
EP 237: Eric Valentine: Giving Instruments Clarity in a Mix
45
EP 170: Bob Horn: Getting Big, Clear Low-End
46
Barrett Jones: Getting Mix-Ready Sounds During Tracking
47
David Streit: Creating Ambient Mixes
48
Jim Stewart: How to survive as a studio owner
49
Dave Schiffman: How To Rise Up The Ranks As An Engineer
50
Thomas Avery: Composing Music for Film & TV
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