The arrangements of these compositions are markedly different than their original versions. Whereas the Masada quartet performances are rhythmic, jazz-based, and often frenetic, the music on BAR KOKHBA is dark, spare, and evocative, bordering on modern classical more than jazz. In fact, except for Ribot's surf guitar on "Mahlah," and Medeski's swirling Hammond on "Paran," many of these performances would not sound out of place in a concert of 1920s modernist music.
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Gevurah
Abidan
Mahshav
Nezikin
Sheloshim
Rokhev
Hath-Arob
Paran
Mahlah
Nefesh
Socoh
Yechida
Bikkurim
Tannaim
Idalah-Abal
Maskil
Mo'ed
Shear-Jashub
Sansanah
Mishpatim
Karaim
Mochin
Moed
Nazikin
Machin
Hadasha
Khebar
Lachish
Ner Tamid
Kochot
Lilin
Hazor
Eitan
Moshav
Teli
Yechidah
Karet
Kisofim
Track 5
Track 9
Elilah
Bith Aneth
Abidan / John Zorn
Yechida / John Zorn
Taharah
Zebdi
Sippur
Aravot
Laylah
Ratzah
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