
Mark Izu is a seminal leader in the Asian American Jazz movement. His compositions include symphony, film, theater, dance and jazz. The principal curator of the original Asian American Jazz Festival held at the Asian Art Museum in San Francisco’s Golden Gate Park for nearly two decades, he helped establish the genre. Playing the acoustic bass, as well as several traditional Asian instruments, Izu has gained national and international attention as a musician and composer.
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Stick Song
Mermaid In A Silent Sea
Threading Time
Sheng Illusion
Funso
Come on Let's Go
But The Shadow Marred The Master Plan
Cultural Diversity
Soul of the Great Bell
Issei Crossing
String Theory
Invocation - Journey to America
Amaterasu
Come On, Let's Go
Pearl Harbor Day
Last Dance / In A Sentimental Mood
Scattered Scars
Buddhahead Blues
Kiryoku (Focusing Chi)
The Photograph
Prelude / Ghost Spirit Theme
Big Bands / Tuxedo Junction / Polka Dots and Moon Beams
Camp Newsletters
Jerome Camp
The Train Ride
We're Still Here
Love (Sringaram)
Interlude for Sita (love filler)
Music - Excerpt from "Scattered Scars"
Music - Excerpt from "Kuan Yin Processional"
Mermaid Meat
Last Dance
Compassion (Karunyam)
Music - Excerpt from "Mermaid In A Silent Sea"
1st set
3rd set
2nd set
Heroism (Viram)
Disgust (Bibhatsam)
Fear (Bhayanakam)
Excerpt From Kuan Yin Processional
Mirth (Hasyam)
Arjuna's Laugh (Comic Reprise)
Dance for Hanuman (Disgust/Comic Filler)
Fury (Raudram)
Music - Except from "Return to the Valley"
Rasa Reflections (Bass Solo)
Shiva's Dance (Shakuhachi Solo)
The Visage of Shiva (Fear Prelude)
Scatterd Scars
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