Mario Castelnuovo-Tedesco
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About Mario Castelnuovo-Tedesco
Mario Castelnuovo-Tedesco (April 3, 1895 – March 16, 1968) was an Italian composer. Born in Florence, he eventually emigrated to the United States in 1939. Castelnuovo-Tedesco was first introduced to the piano by his mother, and he composed his first pieces when he was just nine years old. After completing a degree in piano in 1914, he began studying composition under renowned Italian composer Ildebrando Pizzetti, and receiving a diploma in composition in 1918.
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Top Tracks
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Ronsard (De Platero y Yo)
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Sonatina Canonica, Op. 196: II. Tempo Di Siciliane
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Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E major
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Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 4 in E Major (the Well-Tempered Guitars)
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Sonatina canonica, Op. 196: III. Fandango en Rondeau
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Capricho Diabolico, Op. 85
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Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene
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Sonatina Canonica, Op. 196: I. Mosso, Grazioso e Leggero
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Capricho diabolico, Op.85
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Greeting Cards: Tonadilla (on the name of Andrés Segovia)
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Variations a travers les siecles, Op. 71
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Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E major
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Capriccio Diabolico ''Omaggio a Paganini'', Op.85
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Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 1. Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter)
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Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 2 in D major
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The Lark
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Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 18. El sueno de la razon produce monstruos (The sleep of reason produces monsters)
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24 Caprichos de Goya, Op. 195: No. 1, Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter)
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Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 3. Nadie se conoce (Nobody knows oneself)
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Capriccio diabolico, Op. 85, "Homage to Paganini"
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Sea Murmurs
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Guitar Concerto No. 1 in D major, Op. 99: I. Allegretto
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Capricho diabolico
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Guitar Quintet, Op. 143: I. Allegro, vivo e schietto
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24 Caprichos de Goya, Op. 195: No. 18, El sueno de la razon produce monstruos (the sleep of reason produces monsters)
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Sonatina for Flute & Guitar, Op. 205: I. Allegretto grazioso
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Guitar Concerto No. 1 in D major, Op. 99: III. Ritmico e cavalleresco
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Guitar Concerto No. 1 in D major, Op. 99: III. Ritmico e cavalleresco - Quasi andante - Tempo I
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Guitar Concerto No. 1 in D major, Op. 99: II. Andantino alla romanza
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Tarantella, Op. 87
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Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 3 in A minor
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Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 1 in G Minor
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Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor
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Sonatina for Flute & Guitar, Op. 205: II. Tempo di siciliana
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Tarantella, Op. 87b
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Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 5 in B minor
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Castelnuovo-Tedesco: Capriccio Diabolico: Capriccio Diabolico
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Les guitares bien tempérées, Preludes and Fugues, Op. 199: Fugue No. 3 in A Minor (the Well-Tempered Guitars)
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Greeting Cards, Op. 170: No. 48, Canzone calabrese on the Name of Ernest Calabria
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Les guitares bien tempérées, Preludes and Fugues, Op. 199: Fugue No. 4 in E Major (the Well-Tempered Guitars)
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Tarantella
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Paraphrase on "Largo al factotum" from G. Rossini's opera "Il barbiere di Siviglia"
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Sea Murmurs (Arr. Heifetz)
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Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 7 in C-Sharp Minor
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Guitar Concerto No.1 in D, Op.99: 1. Allegretto
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Notturno in Hollywood
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Andantino alla romanza
48
Les guitares bien tempérées, Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor (the Well-Tempered Guitars)
49
Lucertolina, Op. 187
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Cello Concerto, Op. 72: II. Allegretto gentile
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