
Marcus Olter (c.1650) is a shadowy name from the North German keyboard tradition whose presence in music history rests on a single surviving piece, a “Canzon,” preserved through the celebrated Lüneburg organ tablature manuscript tradition (reported as Lüneburg, Stadtarchiv, Mus.ant.pract. KN 207.15, c.1650). Modern listeners most often encounter Olter through the afterlife of this one work: it has been edited in organ anthologies drawing on
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Canzon in C Minor
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