Manolis Galiatsos

At Times, Deep Breaths, Excited, Ignore the Lungs

O Ilios Tou Mesonyktiou

This Is Not This, It Always Has Something of That It Supposes You to Be

The Persistent Gaze of the Indeterminable as an Exercise of Revival

This Isn't This

Desire Is Desire for Words

We Ecstatically Float On a Calm, Unsuspecting Innocence Made of Porcelain

I Always Wanted You

She Slowly Unfolds Around Herself

As The Fragments Are Hurled, They Catch The Briefest Images Of Existence, The Suspension Of Form And Fall

Brevity

Are You Looking At Me Or Am I Looking At You

He Suddenly Realised That It Didn't Matter What He Was Saying. The Way He Said It Carried The Full Sence

When the Eyes Opened and Faced Her This Which Is (Never) Really This, Greeted Her and the Greeting Looked More Like a Final Expression of Lyricism

If Your Image Is Its Accumulated Multiple, At What Exact Point In Time, Do I Live In You...Now? (Right Before I Named You I Became Past)

Ohi Ke Na Kleme

Mia - Dio Fores

Anases tou Earinou

As The Fragments Are Hurled

Anekplirotes Shesis

Prin Gino Lafiro Tou Ktinous

Stadia Orimansis

Pali

To Aorato Asteri

If Your Image Is an Accumulated Multiple, At What Exact Point in Time, Do I Live in You... Now? - Right Before I Named You I Became Past

Parakseno Na Miazis

To Ksantho Kefali Tis Vlepi Ton Ilio Pano Ap' Ta Pefka

Erastes Tis Aoratis Theas (Ta Dio N(o)imata Tou Anefiktou)

Olos O Hrisos Tou Ecuador

Mistiko Feggari

Maskes

Orizontes

Krimmeni Hara

Enas Evgenikos Kanivalos (Queequeg)

As the Fragments Are Hurled, They Catch the Briefest Images of Existense, the Suspension of Form and Fall

Anaseno - Instrumental

I Hara Tis Zois

Kinisi

Dromos

Guru

O Dromos Pou Katiko (Otan Den Tha'me Pia Edo)

I Erchomenes

I Thlipsi Ton Alogon

Antonio Porchia I

Demones Ke Mihanes

Ohi Kapios Allos

To Fos Ton Palion Imeron

Asimanta Peristatika

Antonio Porchia II

Istoria Enos Fantasmatos