
Pianist Magda Mayas (1979) was taught the pianist trade by the masterly improvisers Misha Mengelberg and George Graewe, and has become renowned in recent years within the international improvisatory sphere. Mayas works predominantly in Berlin, which has witnessed a heterogeneous evolution of electro-acoustic improvisation, giving birth to sound-pruned aesthetics named ‘the Berlin reductionism’ in the past decade. Mayas is a member of the Phono Phono trio, the Mayas/ Nutters/ Olsen/ Galvez quartet and the larger N-collective ensemble.
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shards
slow metal skin
Foreign Grey
No.Thing
Point 1
Point 2
Point 3
Point 5
Point 9
Sediment
Point 4
Point 8
Point 6
Point 7B
Point 7
Point 10
Intersect
Shimmer
Trace
One
Chant
The Obverse and the Reverse
Embodied
Another
Confluence
Halcyon
Bolzano
A1 - Trace
Non-Pitch I (Fast)
Intervals And Externals I (Med
Intervals And Externals II (Fa
Loose Surface I (High End)
Pitch III (Fast Points And Scr
Loose Surface II (Low End)
Mixed Pitch / Non-Pitch (Mediu
Pitch IV (Slow, Near Consonanc
Loose Surface III (Triple End)
Hybrid
B1 - Shimmer
Every Now And Order
Maybe On The Norm For A Conductor
Heartland
Understory
Cyanide
Chant (live in Boston)
Embodied (excerpt)
Halcyon (excerpt)
anthea magda track 2
His New Forget Himself
To Directly Convert Over A Firm Bofy
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