
Longleash (Pala Garcia, violin; John Popham, cello; Renate Rohlfing, piano) is an ensemble with a traditional instrumentation and a progressive identity. The “expert young trio” (Strad Magazine) takes its name from Operation Long Leash, a Cold War era CIA operation that promoted American avant-garde artists in Europe. “Fearlessly accomplished” (Arts Desk UK), Longleash has quickly earned a reputation in the US and abroad for innovative programming, artistic excellence and new music advocacy.
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Corde vuote

free: whereof - wherefore

Brontal Symmetry

for Toshiko: I. to see —

for Toshiko: II. to touch —

Strange Attractors

Ver_flies_sen

Il colore dell'ombra: II. D'un fiato - III. Onirico

for Toshiko: III. to sound —

Il colore dell'ombra: I. Passage, come un velo

Il colore dell'ombra: IV. Con precisione!

Passing Through, Staying Put: II. Staying Put

for Toshiko: IV. to you —
Clara Iannotta : Il colore dell’ombra per violino, violoncello e pianoforte: I. Passage, come un velo
Clara Iannotta: Il colore dell’ombra per violino, violoncello e pianoforte: II. D’unfiato; III. Onirico
Christopher Trapani: Passing Through, Staying Put for Piano Trio: I. Passing Through

Passing Through, Staying Put: I. Passing Through
Different Gravities (Movement II, Fragile, Sinking)
Clara Iannotta: Il colore dell’ombra per violino, violoncello e pianoforte: IV. IV. Con precisione!
Christopher Trapani: Passing Through, Staying Put for Piano Trio: II. Staying Put

Colorfast
Yukiko Watanabe : ver_flies_sen für Violine, Violoncello und Klavier

free: whereof – wherefore

Corde Vuote: Corde vuote

I. Passing Through

II. Staying Put

I. Passage, come un velo

II. D'un fiato - III. Onirico

IV. Con precisione!
the robot in red by Klaus Lang (Live at CUNY Graduate Center)
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