Ljubica Marić
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About Ljubica Marić
Ljubica Marić (1909-2003) is considered to be the most original Serbian composer of the twentieth century and musically the most influential one. She was the first composer in the history of music who systematically used the modal system of the Byzantine Orthodox church music to compose non liturgical works. Ljubica Marić developed her authentic style by using the Byzantine church music within the post-expressionistic idiom. All her compositions are inspired by her personal philosophy based on Taoism.
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Top Tracks
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pesme prostora (songs of space)
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ostinato super tema octoicha
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prag sna (the threshold of dreams)
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Sonata fantasia
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vizantijski koncert (byzantine concerto) - ii. in darkness and glimmering_ aria
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vizantijski koncert (byzantine concerto) - iii. roaring and glaring_ allegro
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vizantijski koncert (byzantine concerto) - i. sound and ringing_ preludium quasi una toccata
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Ostinato Super Thema Octoïcha
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Songs Of Space
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Threshold Of Dream
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Pesma i Igra: II. Igra
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Pesme prostora
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Ostinato Super Thema Octoicha
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Pesma i Igra: I. Pesma
15
Vizantijski koncert (Byzantine Concerto)
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Byzantine Concerto for piano and orchestra: 1. Preludium quasi una toccata
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Byzantine Concerto for piano and orchestra: 2. Aria
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I. Sound and Ringing: Preludium quasi una toccata
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Byzantine Concerto for piano and orchestra: 3. Allegro
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vizantijski koncert (byzantine concerto) - II. In Darkness and Glimmering: Aria
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vizantijski koncert (byzantine concerto) - III. Roaring and Glaring: Allegro
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Pasakalja (1957)
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Sonata fantazija za violinu solo (1928)
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Muzika Oktoiha 1 (1958)
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II. In Darkness and Glimmering: Aria
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vizantijski koncert (byzantine concerto) - I. Sound and Ringing: Preludium quasi una toccata
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III. Roaring and Glaring: Allegro
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Songs of Space, cantata
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Threshold of Dream, cantata
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Prag Sna
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Pasakalja
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Monodija Oktoiha (1982)
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prag sna (the threshold of dream)
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Pasakalja (Passacaglia)
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Byzantine concerto
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Vizantijski koncert (Byzantine Concerto): II. In Darkness and Glimmering: Aria
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Vizantijski Koncert (Byzantine Concerto) - II. In Darkness And Glimmering. Aria
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Carobni miligram (1992)
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Prag sna (Kamerna Kantata 1961)
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Vizantijski Koncert (Byzantine Concerto) - I. Sound And Ringing. Preludium Quasi Una Toccata
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Vizantijski Koncert (Byzantine Concerto) - III. Roaring And Glaring. Allegro
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Prag Sna Threshold Of Dream - Dragoslava Nikolic
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Pesma prostora (Kantata 1956)
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Brankovo kolo (Branko's Round Dance)
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Byzantine Concerto 1. Sound And Ringing. Preludium Quasi Una Toccata
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Byzantine Concerto: II. In Darkness and Glimmering: Aria
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Byzantine Concerto: III. Roaring and Glaring: Allegro
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Byzantine Concerto: I. Sound and Ringing: Preludium quasi una toccata
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Monodija Oktoiha
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Byzantine Concerto (Octoicha II) (1959)
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