Lily Greenham was a performer and early pioneer of "concrete poetry". She used her voice in ways that genuinely hadn't been explored before, cutting, splicing, pitching and effecting it, making tones and chopping out syllables until words were barely even audible as words anymore, and occasionally punctuated these sounds with electronics or concrete recordings to create experimental compositions like nothing else at the time. The best point of reference
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Tillid
Polar Polaris
ABC In Sound
7 Consonants In Space
Experience
Autor
Outsider
Capital
Circulation
Elastic Collision
RRR
Ona
French Persian Cats
Borges
Relativity
Hocus Pocus
Musica
Hymn To Lesbians
Traffic
Pre-Eminence
Cherokee
Underground
Movimiento
Unknown Title
Lichtgeschwindigkeit
Sino
Percussion=Voice
Friction
Tops
Improvisation
Polaris Supermix
Gebet
Seascape
Untitled Studio Experiment
End Of Concert
Gesichter/Visages
Gesichter/Visages (Excerpt)
Do You Wonder About This Society
Are You the Kind of Person
Potent Impotency
Focus Hocus Pocus
Upon a Time
Millions Are Getting Killed
Who Are the Women & Men
Relations
Circulation (Extended Element)
Object/Subject
Authority
International Language Experiments of the 50/60ies
Borges (Soundtrack)
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