Lars Stigler plays all instruments, percussion, guitars, bass and keys and the results are purely stunning - nine compositions built around blurry melodic phrasing, arching e-bow guitars and electric and acoustic piano. Set under the same dim lights that maybe illuminated late-night tone floaters Roy Montgomery, Hood, Stars of the Lid, Windy and Carl etc - Lars is on a similar path to harmonic bliss. Repetition is the key in creating an atmosphere of gentle circular melodic patterns for the larger part of the album.
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three movements
Embracing Dead Stars
impulse & presentiment
that early mornings tarnished beauty
appealing to the same
The Same As Usual Stumble Across The Border Between Nowhere And Now Here
As Cells Approach Exhaustion...
Albatross
Sommerschlaf
The End Is Important In All Things
La Tortue Chatoyante
...a monolithic bleakness has prevailed
Mon Rideau Noir, Ne S`Ouvre Pas
Mon Rideau Noir S'ouvre
Les Apparences Ne Sont Pas Trompeues! Le Ciel Était Trés Affligé Et Je L'ai Laissé Sans Reponse
tabla machine
Fluegelschlag
sommerschlaf (reprise)
flügelschlag
As Cells Approach Exhaustion ...
Mon Rideau Noir, Ne s'Ouvre Pas
... a monolithic bleakness has prevailed
her ruin
30
hallo bibi
nicht nichts
the same as usual stumble across the border between nowere and here
hoffnung
les apparences ne sont pas trompeuses! le ciel etait tres afflige et je l' al laisse sans reponse
mon rideau noir s' ouvre
helge singt : fuchs, du has hast die gans gestohlen
weissnicht
abschied
das baumgrün im winde
ausschnitt asu radioimrovisation sooss
und frage mich, wie es dir geht
es regnet immer noch
bergab
am strand
en automne
kunjala
otee
Track 1
geliebte abwesenheit
entlang der gedanken fliesst ein fluss
bye, bye
introspection
Les Apparences Ne Sont Pas Trompeuses! Le Ciel Etait Tres Afflige Et Je L'ai Laisse Sans Reponse
Track 2
Track 3
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