LS
About Lars Stigler
Lars Stigler plays all instruments, percussion, guitars, bass and keys and the results are purely stunning - nine compositions built around blurry melodic phrasing, arching e-bow guitars and electric and acoustic piano. Set under the same dim lights that maybe illuminated late-night tone floaters Roy Montgomery, Hood, Stars of the Lid, Windy and Carl etc - Lars is on a similar path to harmonic bliss. Repetition is the key in creating an atmosphere of gentle circular melodic patterns for the larger part of the album.
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Top Tracks
1
three movements
2
Embracing Dead Stars
3
impulse & presentiment
4
that early mornings tarnished beauty
5
appealing to the same
6
The Same As Usual Stumble Across The Border Between Nowhere And Now Here
7
As Cells Approach Exhaustion...
8
Albatross
9
Sommerschlaf
10
The End Is Important In All Things
11
La Tortue Chatoyante
12
...a monolithic bleakness has prevailed
13
Mon Rideau Noir, Ne S`Ouvre Pas
14
Mon Rideau Noir S'ouvre
15
Les Apparences Ne Sont Pas Trompeues! Le Ciel Était Trés Affligé Et Je L'ai Laissé Sans Reponse
16
tabla machine
17
Fluegelschlag
18
sommerschlaf (reprise)
19
flügelschlag
20
As Cells Approach Exhaustion ...
21
Mon Rideau Noir, Ne s'Ouvre Pas
22
... a monolithic bleakness has prevailed
23
her ruin
24
30
25
hallo bibi
26
nicht nichts
27
the same as usual stumble across the border between nowere and here
28
hoffnung
29
les apparences ne sont pas trompeuses! le ciel etait tres afflige et je l' al laisse sans reponse
30
mon rideau noir s' ouvre
31
helge singt : fuchs, du has hast die gans gestohlen
32
weissnicht
33
abschied
34
das baumgrün im winde
35
ausschnitt asu radioimrovisation sooss
36
und frage mich, wie es dir geht
37
es regnet immer noch
38
bergab
39
am strand
40
en automne
41
kunjala
42
otee
43
Track 1
44
geliebte abwesenheit
45
entlang der gedanken fliesst ein fluss
46
bye, bye
47
introspection
48
Les Apparences Ne Sont Pas Trompeuses! Le Ciel Etait Tres Afflige Et Je L'ai Laisse Sans Reponse
49
Track 2
50
Track 3
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