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Top Tracks
1
Untitled Beams & Rests
2
Everyday Melodies: 2013 July 16, 2013 September 2, 2013 September 17, 2013 September 24, 2013 December 29, 2013 December 31
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Everyday Melodies: 2011 December 11, 2012 May 21, 2013 May 10, 2013 June 21, 2013 June 25, 2013 July 9, 2013 July 12, 2013 July 13, 2013 July 13
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Everyday Melodies: 2014 May 12, 2014 May 22, 2014 June 20, 2014 June 23, 2014 June 25, 2014 July 10
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Tense
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Everyday Melodies: 2014 August 28, 2014 August 31, 2014 September 7, 2014 September 16, 2014 September 24, 2014 September 26, 2014 October 10, 2014 October 16, 2014 October 17, 2014 October 29, 2014 November 14, 2014 November 20, 2014 December 4
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stripping
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Everyday Melodies: 2014 February 8, 2014 February 17, 2014 February 21, 2014 March 6, 2014 March 12, 2014 March 30, 2014 April 11, ?, 2014 May 6
9
2019IX26 (quintet)
10
Pam
11
A Dream (from: Songs Of Innocence)
12
(for violin)
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Map
14
dissonata
15
transcription
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4 actualisations of Manfred Werder’s “2005¹”
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electric sea
18
9.november.11
19
Pat
20
Tap
21
''Stripping''
22
whole body (first part)
23
nothing is what it wants to be
24
неоднократное всеобщее растворение
25
29.november.11
26
(for violin, violoncello & double bass)
27
subcovered colour is not an occasion
28
a dream (from: songs of innocence) (2020)
29
2019IX26 (quintet) (2019)
30
about beautiful
31
self-land's stains ii
32
Kirill Shirokov: Traditional Scheme
33
water suite (2009) for cello & piano: iii
34
water suite (2009) for cello & piano: i
35
water suite (2009) for cello & piano: ii
36
289 bars in e-flat major [2009.06.15, masha olinenko]
37
nothing is what it wants to be: 1
38
4 improvisations - i [2009.06.13, masha olinenko]
39
[for electronics & piano]
40
10.january.12
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silk
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4 improvisations - ii [2009.06.13, masha olinenko]
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4 improvisations - iii [2009.06.13, masha olinenko]
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4 improvisations - iv [2009.06.13, masha olinenko]
45
metaphor (2010) for a performer
46
1.february.12
47
acc.
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(20140402.01)
49
music for dasha
50
prelude to drop dryout [2009.07.06, pyotr ritter, maxim ivanytschev, vika miroshnitschenko & author]
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