Kinothek Percussion Ensemble consist of Californian composer, musician & performer DNA Hoover. Using percussion instruments as well as found objects, his main “instrument” is a multitrack studio where he puts together what will later form his albums: musical pieces, arranged by dramatic mood and style, dealing with thematic film music. The original principle of Kinothek was developped in 1919 by Italian composer Giuseppe Becce who published “Kinobibliothek”
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The Flywheel Gives A Steady Momentum
The Trunnions Are United And Turn Together On The Shaft
A Series Of Cams Of Varying Throw
Friction Describes The Great Circumference
Pinion Driven Alternately By External And Internal Mutilated Cogwheels
An Arrangement Of Parallel Motion
Irregular Circular Motion Imparted To An Elliptical Spur-Gear
Vertical Percussiv Falls Derived from Rotating Shaft
The Oscillation of the Tappet-Arm by Compression
Rotary Movement Of The Ratchet-Faced Wheel By The Pawls
Piston-Driven Friction Rollers
An Aggregate Rotation Is Given To The Roller-Wheel
Snake's Kin
In Search Of
01 Interruptus
Interruptus
Yassou Sazoud
Rotary Movement Of The Ratchet-Faced Whell By The Pawls
04 A Rumble (on the Track)
02 Snake's Kin
Vertigo
05 Assassin
03 Yassou Sazoud
Broken Knees
Gagaku
Too Many Shadows
A Rumble (on the Track)
Assassin
Tsunami
Agitated
The Old Man's Basket
Arnhem's Evil Giant
An Aggregate Rotation Is Given To The Roller-Whell
Vertical Percussive Falls Derived From Rotating Shaft
08 Too Many Shadows
Outback
The Oscillation Of The Tappet-Arm By Comression
Pistol-Driven Friction Rollers
09 Tsunami
10 Vertigo
11 Agitated
14 Arnhem's Evil Giant
07 Gagaku
12 Outback
06 Broken Knees
13 The Old Man's Basket
Discovery
Coaxed By Wile
Determination
Confrontation
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