
Kenneth Gaburo composed works for instruments, voices, electronics, multi-media, theater, and a variety of other resources. Foremost among his many interests was a concern with the voice and with language - how we shape language and how we are shaped by it - and with making works that existed somewhere between the boundaries of music and language.
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lemon drops
For Harry
Fat Millie's Lament
The Wasting Of Lucrecetzia
Dante's Joynte
Re-Run
Hiss
Mouthpiece II
Few
Antiphony Iv (Poised)
Kyrie: Orbis Fact/ Or; A Very Odd Do
String Quartet In One Movement
Mouth-Piece: Sextet for Solo Trumpet
The Flow of (u)
Antiphony III (Pearl-white moments)
Lingua II: Maledetto, Side B
Mouth-Piece: Sextet for Solo Trumpet
Lingua II: Maledetto, Side A
Kyrie: Orbis Fact/Or; A Very Odd Do
Maledetto
Antiphony VIII
Antiphony X (Winded)
Lemon Drops (1965)
Noyse
Fat Millie's Lament (1965)
The Wasting Of Lucrecetzia (1964)
For Harry (1966)
Re-Run (1983)
Lingua II – Maledetto
Ringings
Hiss (1992)
Dante's Joynte (1966)
Mouthpiece II (1992)
Antiphony IX (…A DOT is no mere thing…)
Kyrie: Orbis Fact/Or; A Very Odd Do (1974)
Few (In Collaboration With Henri Chopin) (1985)
Antiphony IX (...A Dot...)
Antiphony IV (Poised) (1967)
ENOUGH! …(not enough)…
Mouth-Piece: Sextet for Solo Trumpet (1970)
The Flow of (u) (1974)
Antiphony IV (Poised), for voice, piccolo, bass trombone, double bass & electronics
Noyse. 1975
Antiphony III (Pearl-white moments), for 16 voices & electronics
Antiphony III (Pearl-white moments) (1962)
String Quartet in One Movement (1956)
Antiphony II
Testimony With Flow Of [U]
The Wasting Of Lucrecetzia 6
Ringings. 1976
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