
Called “breathtakingly beautiful” (San Francisco Chronicle) and “a shimmering sonic blanket quilted from microswaths of richly colored acoustic fabrics,” (Oregon ArtsWatch) the music of Katherine Balch seeks to create intimate sonic environments driven by attention to detail and playful investigation of sounds. Katherine's work has been commissioned and performed by the Tokyo, Minnesota, Oregon, and Albany Symphony Orchestras, Orchestre Philharmonique de Radio France
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Cleaning
Tree Lines: I. Yew
Tree Lines: V. Oak
Tree Lines: III. Cypress
Tree Lines: II. Juniper
Tree Lines: IV. Bristlecone
Up / Down
Tree Lines: VII. Cedar
Tree Lines: X. Jequitibá
Tree Lines: IX. Baobab
Tree Lines: XI. Sequoia
Tree Lines: VIII. Larch
Tree Lines: VI. Foxtail
Apartment Sounds
drip music
Phrases: I. Le haut étange fume
Phrases: III. J'ai tendu des cordes
Phrases: IV. Il sonne une cloche
Phrases: II. Quand le monde sera réduit
waste knot
forgetting
Estrangement: I. Only Once (A)
musica pyralis
Estrangement: XIII. In a Jar
Whisper Concerto
Off Hesperus
New Geometry
Estrangement: XII. The Novel
Estrangement: II. Why, She Sees, It Didn't Occur to Her
Thread Unfurled
Pre show music? Dream?
Into the Dream
Estrangement: VI. The Film
Graveyard final
Bells
Kitchen music final
Phrases: I. Le Haut Étang Fume
Estrangement: XI. The Labor of Forgetting
Estrangement: V. It Was Then
Estrangement: X. Only the Song
Estrangement: III. Only Once (B)
Estrangement: IV. Rejection Only Possible
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