
The English tenor and conductor, Julian Podger, was educated in Kassel, Germany, where upon leaving school, he first established himself as a solo singer and conductor. In 1987 he took up a Choral Award to read Music at Trinity College, Cambridge. There, in addition to his many commitments as a solo singer, he was instrumental in the development of the early music scene, and concerts under his direction gained widespread recognition, aided by the use of historical performance practice.
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Ach Gott, wie manches Herzeleid, BWV 3: Ach Gott, wie manches Herzeleid (Chorus)
Ach Gott, wie manches Herzeleid, BWV 3: Chorale: Erhalt mein Herz im Glauben rein
Ach Gott, wie manches Herzeleid, BWV 3: Recitative and Chorale: Wie schwerlich lasst sich Fleisch und Blut
Ach Gott, wie manches Herzeleid, BWV 3: Recitative: Es mag mir Leib und Geist verschmachten (Tenor)
Ach Gott, wie manches Herzeleid, BWV 3: Aria: Empfind ich Hollenangst und Pein (Bass)
Ach Gott, wie manches Herzeleid, BWV 3: Aria Duet : Wenn Sorgen auf mich dringen (Soprano, Alto)
Alma Redemptoris Mater
Alma Redemptoris Mater (Palestrina)
Alma Redemptoris Mater - Ed. J. Dixon
The silver swan
April is in my mistress' face
"My beloved spake" (Z.28)
Matthaus-Passion, SWV 479: Introitus
Act I: Overture
Sing We and Chant It
Solomon, HWV 67: Act III: Sinfonia, "Arrival of the Queen of Sheba"
Palestrina: Alma Redemptoris Mater - Ed. J. Dixon
Mein Gott, wie lang, ach lange, BWV 155: Chorale: Ob sichs anliess, als wollt er nicht
Solomon, HWV 67: Act I Scene 1: Your harps and cymbals sound (Chorus of Priests)
Purcell: Jehova, quam multi sunt hostes mei (Z.135)
Mein Gott, wie lang, ach lange, BWV 155: Aria Duet: Du musst glauben, du musst hoffen (Alto, Tenor)
Mein Gott, wie lang, ach lange, BWV 155: Recitative: So sei, o Seele, sei zufrieden! (Bass)
Mein Gott, wie lang, ach lange, BWV 155: Recitative: Mein Gott, wie lang, ach lange? (Soprano)
Mein Gott, wie lang, ach lange, BWV 155: Aria: Wirf mein Herze, wirf dich noch (Soprano)
Meine Seufzer, meine Tranen, BWV 13: Chorale: Der Gott, der mir hat versprochen (Alto)
Meine Seufzer, meine Tranen, BWV 13: Aria: Achzen und erbarmlich Weinen (Bass)
O Rosa Bella
La Bionda Trezza
Meine Seufzer, meine Tranen, BWV 13: Aria: Meine Seufzer, meine Tranen (Tenor)
Meine Seufzer, meine Tranen, BWV 13: Recitative: Mein liebster Gott lasst mich annoch (Alto)
Purcell: O, I'm sick of life, Z140
Solomon, HWV 67: Act I Scene 1: Air: Praise ye the Lord (Levite)
Solomon, HWV 67: Act I Scene 1: Throughout the land Jehovah's praise (Chorus of Israelites)
Meine Seufzer, meine Tranen, BWV 13: Chorale; So sei nun, Seele
Solomon, HWV 67: Act I Scene 1: Accompagnato: Almighty pow'r! (Solomon)
Solomon, HWV 67: Act I Scene 1: Recitative: Imperial Solomon (Zadok)
Solomon, HWV 67: Act I Scene 1: With pious hearts (Chorus of Priests)
Sweet Suffolk owl
Solomon, HWV 67: Act I Scene 1: Air: Sacred raptures (Zadok)
Meine Seufzer, meine Tranen, BWV 13: Recitative: Mein Kummer nimmet zu (Soprano)
Solomon, HWV 67: Act I Scene 1: Recitative: Bless'd be the Lord - Air: What tho' I trace (Solomon)
In nomine 'Trust'
Matthaus-Passion, SWV 479: Und es begab sich, da Jesus alle diese Rede vollendet hatte
Solomon, HWV 67: Act III: Recitative: From Arabia's spicy shores (Queen of Sheba, Solomon)
Solomon, HWV 67: Act I Scene 2: Air: Bless'd the day (Queen)
Solomon, HWV 67: Act I Scene 2: May no rash intruder (Chorus)
Solomon, HWV 67: Act II Scene 1: From the censer curling rise (Chorus)
Solomon, HWV 67: Act II Scene 3: Air: Thy sentence, great king (Second Harlot) - Recitative: Withhold the executing hand (First Harlot)
Almo Redemptoris Mater :Palestrina
2. Aria and Chorale: "Ich steh mit einem Fuß im Grabe"
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