
John is fascinated by the undiscovered textural potential electronic instruments allow in his compositions. The process of composing is directly connected to the discovery of sonic events through experimentation and improvisation. Johns music is meant to create an atmosphere that encourages introspection and meditation. It is music that can easily live in the background but is also capable of allowing the focused listener the depth for sonic exploration.
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Three
Four
Two
One
Model MF3c
Model MF1
Spaces
Notre Dame Cathedral - Paris
Da Vinci - Getty Center - Los Angeles
Embarcadero Center - Justin Herman Plaza - San Francisco
Model MF3a
Van Gogh - Getty Center - Los Angeles
Model MF3b
- One -- 4 at 18 (2003) -- A6713-BROADDUS-4AT18-CS-RVY
Model MF2
- Three -- 4 at 18 (2003) -- A6713-BROADDUS-4AT18-CS-RVY
Model MF4
- Two -- 4 at 18 (2003) -- A6713-BROADDUS-4AT18-CS-RVY
- Four -- 4 at 18 (2003) -- A6713-BROADDUS-4AT18-CS-RVY
Chime Drone
On the Edge, You Can See
Hôtel de Lutèce - Paris
Elements
- Four -- 4 at 18 (2003) -- /3Qk5x3
Nowhere Else
Piano Grains
02 (Chime Drone)
01 (Spaces)
04 (Piano Grains)
03 (Elements)
Hollow Tranquility
- Two -- 4 at 18 (2003) -- /5Qk5x3
Useful to Have Gone Astray
What We Look For
A Connection Between
Pause to Wonder
SFMOMA - San Francisco
Three At Eighteen
- One -- 4 at 18 (2003) -- /6Qk5x3
- 02 (Chime Drone) -- 4 at 33 (2018) -- /ZC8sZPSb5
- 03 (Elements) -- 4 at 33 (2018) -- /M7sJp6Kc4
One At Eighteen
02
01
03
Mist
4 at 18 track 4
Two At Eighteen
Four At Eighteen
04
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