
Schultz was born in Lüneburg and in 1605 took a job as organist at St. John's Church in Dannenberg in the Duchy of Brunswick-Lüneburg in Lower Saxony. In his early compositions, Schultz combines old Protestant hymns with Dutch-Italian motet styles. Other of his works point to equally eclectic sources in courtly and bourgeois songs and instrumental forms. In his later works, he was—like his contemporaries Heinrich Schütz and Heinrich Albert—working new ground between older motet styles and newer song forms.
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Passamezzo à 8
Der ehlich Stand a 8
Paduan a 4
Weihnachtsgeschichte Teil I: Anbetung der Hirten: XVIII. Evangelium VIII
Weihnachtsgeschichte Teil I: Anbetung der Hirten: XIX. Quodlibet: In dulci jubilo, Ein Kindelein so löbelich, Lobet den Herren, Gelobet seist Du, Nun freut Euch lieben Christen
Schultz: Passamezzo a 8
Tantz
Paduan
Der ehrlich Stand
trening autogenny - autohipnoza lubomira
Paduan à 4, Lüneburg 1622
Der ehlich Stand à 8, Lüneburg 1622
40 Neuwe ausserlesene schone liebliche Paduanen, Intraden und Galliard: Passamezzo-Variationen
Fuga for 2 Violins (Feat. Martyna and Adam Pastuszka)
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