About Johann Fux
Johann Joseph Fux (1660 – 13 February 1741) was an Austrian composer, music theorist and pedagogue of the late Baroque era. He is most famous as the author of Gradus ad Parnassum, a treatise on counterpoint, which has become the single most influential book on the Palestrina style of Renaissance polyphony. Almost all modern courses on Renaissance counterpoint, a mainstay of college music curricula, are indebted in some degree to this work by Fux.
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Top Tracks
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Laudate Pueri, "Sit Nomen Domini"
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Costanza E Fortezza: I. Allegro
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Costanza E Fortezza: V. Allegro
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Plaudite: 1. Plaudite, sonat tuba
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Plaudite: 2. Dum exultat de morte Salvator
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Plaudite: 4. O! peccator gaude
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Plaudite: 5. Alleluja!
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Plaudite: 3. Mortales, vic it Leo de tribu Juda
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Costanza E Fortezza: II. Menuetto
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Costanza E Fortezza: III. Sarabanda
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Costanza E Fortezza: IV. Gavotta
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Rondeau
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Rondeau a 7
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Guigue: Prestissimo
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Allegro
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Requiem No. 7 for soloists, chorus & ensemble ('Kaiserrequiem'), K. 51-53: Sonata a tre ex d per due Violini (violoncello & basso con
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Menuet
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Requiem No. 7 for soloists, chorus & ensemble ('Kaiserrequiem'), K. 51-53: Ciaccona per organo
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Requiem No. 7 for soloists, chorus & ensemble ('Kaiserrequiem'), K. 51-53: Grave (2 trombones, organ, violin)
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Requiem No. 7 for soloists, chorus & ensemble ('Kaiserrequiem'), K. 51-53: Media vita in morte sumus (choral)
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Capricio et Fugue - à 4 Capricio et Fugue
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Suite en la mineur - Menuet
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Overture - Gigue
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Overture - Pour La Caille
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Overture - Pour Le Coucou
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REQUIEM AETERNAM "Kaiserrequiem" K51-53:KYRIE ELEISON
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Requiem No. 7 for soloists, chorus & ensemble ('Kaiserrequiem'), K. 51-53: De profundis (motet)
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Requiem No. 7 for soloists, chorus & ensemble ('Kaiserrequiem'), K. 51-53: Adagio per organo
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Overture - Pour Le Rossignol
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Suite - Entree
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Suite - Marche
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Requiem No. 7 for soloists, chorus & ensemble ('Kaiserrequiem'), K. 51-53: Requiem aeternam / Kyrie eleison
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Requiem No. 7 for soloists, chorus & ensemble ('Kaiserrequiem'), K. 51-53: Dies irae
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Suite en sol mineur - Aria
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Suite en la majeur - Gavotte
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Marche: Allegro
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Aria: Più allegro
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Ouverture
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Menuet I, Trio II
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Aria: Andante
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Aria
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Bourée I, II
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Intrada
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Rigadon
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Ciacona
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Final: Poco allegro
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Adagio
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Suite - Aria
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Allegretto La Superbia
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Gustuoso Arietta
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