
Jeremiah Cymerman is a New York City-based composer, clarinetist, producer and sound engineer. Described as “an impenitent genre-breaker whose membership among today’s greats must be granted now” (Massimo Ricci, Touching Extremes), whose music strikes “a compelling balance between hallucinatory sound sculpting and the immediacy of improvised music” (Jason Bivins, Dusted Magazine) his work has been performed numerous times at venerable Downtown institutions Roulette, The Stone and Anthology Film Archives.
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Sky Burial
Act I
Rogyapa
Crazy Wisdom
Mount Meru
Act III
Act II
From the Metaphysical to the Transcendental (for Bill Smith)
Skull Bowl
Lateral Semicircular Canal
Act IV
Conjoined Limb Of Superior And Posterior Canals
Act V
Superior Canal
Sinus Utriculi Posterior
Posterior Canal
Canalis Utriculosaccularis
Act VI
Interlude
Dancer
Opening
Of the Body Subtle
Nerve To Ampulla Of Lateral Canal
Ending Of Nerve In Recessus Utriculi
Ghost
Burned Across the Sky
Spheres Of Humanity (For Alvin Lucier)
Between Always And Forever (For Toru Takemitsu)
Nerve To Ampulla Of Superior Canal
I Woke Up Early The Day That I Died
For As Long As Grass Grows (For Tony Scott)
Broken Language (For Morton Feldman)
Knot of Breath (for Mario Diaz de Léon)
Touched With Fire
Tongue of Fire
Manifesto (For Iancu Dumitrescu)
Body of Light
The Violence of Stupidity
With The Old Breed (For Nate Wooley)
Conscious Faith (For Evan Parker)
Collapsed Eustachian
Pure Realm
Ductus Endolymphaticus
Cathedral
With Ten Thousand Shields and Spears
Spheres of Dissonance
The Absolute and Its Tearing (for Horatiu Radulescu)
The Canto of Ulysses
Collapsed Eustachain
Less Than Filth
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