
A powerful and vastly underrated avant-garde alto saxophonist, Jemeel Moondoc blended the free-form melodic thought of Ornette Coleman and the sharp edge of Jackie McLean or Charles Tyler with the sort of ferocious "energy playing" usually reserved for tenorists. Moondoc began playing piano as a child, studied clarinet and flute, and settled on alto around age 16; he subsequently studied with Cecil Taylor at various colleges in the early '70s. In 1972
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You Let Me Into Your Life
Little Blue Elvira
The Zookeeper's House
Moon Mode
Encore
Ptah, The El Daoud
One For Monk & Trane
Revolt Of The Negro Lawn Jockeys
For the Love of Cindy
Judy's Bounce
Flora
In Walked Monk
Spirit House
Two (Improvisation 1)
Quick Pick
Brass Monkeys
We Don't
First feeding
Deep Friendship
Nostalgia In Times Square
One For Ornette
Two (Improvisation 2)
New World Pygmies
Home
Dance of the Clowns
End Game
Huey Sees a rainbow
Two (Improvisation 3)
Two (Improvisation 6)
Two (Improvisation 4)
Echo In Blue
Two (Improvisation 5)
Flight (From The Yellow Dog)
Not Quite Ready For Prime Time
Another Angel Goes Home
Nimus
Theme for Diane
Theme For Milford (Mr. Body & Soul)
Theme for Pelikan
We Do
Another One the Hard Way
The Evening Of The Blue Men, Part 3 (Double Expo)
One For Monk and Trane
Three Clay Pots
Triplet
Chasing the Moon
O'neals Porch
New World Pygmies 11/05/00
Campbell's Soup
Ruby's Riches
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