
Jacques de Gouy (c. 1610 – after 1650) was a French Baroque composer of Dutch ancestry. He was acquainted with composers in Parisian music circles of the early 17th century such as Étienne Moulinié and Michel Lambert. In his writings, de Gouy mentions having composed motets and airs, yet all of his published work is lost, save his Airs à quatre parties sur la Paraphrase des pseaumes de Godeau (1650), a setting of Antoine Godeau's Paraphrases, including a long and informative preface.
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Quand, l'Esprit accablé
Mon Dieu, mon Dieu, regarde-moi
Grand Dieu, prête l'Oreille
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