
Ian Elms’s cult isolationist synth masterpiece Good Night returns via Dark Entries. Originally released in 1982, Good Night blends Berlin school minimalism and BBC Radiophonic weirdness with the aesthetics of then-nascent DIY punk electronics throughout its fifteen short tracks. According to Elms, these pieces were composed in two broad but interrelated modes: pieces with voice and synthesizer, which are obliquely narrative, and instrumental synthesizer pieces that aspire to capture fleeting emotions.
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the street enters the house
overthere comes overhere
A tunnel with curves
Surrounded by Trees
no longer
running in the dark
a light moves across curtains
weightless
on a beach lost at sea
moving in the rain
the end of the road
An Empty Corridor
and fall asleep
goodnight
outwards and across
On A Beach Lost At Tea
A1 - The Street Enters The House
A3 - A Tunnel With Curves
A2 - Overthere Comes Overhere
A4 - Surrounded By Trees
B2 - Moving In The Rain
B1 - Running In The Dark
A6 - Weightless
A7 - No Longer
A5 - A Light Moves Across Curtains
B5 - And Fall Asleep
good night
B3 - On A Beach Lost At Sea
B4 - The End Of The Road
B7 - Outwards And Across
B8 - Goodnight
B6 - An Empty Corridor
On a beach lost at the sea
View of a Room
Hope Springs Eternal
A1 The street enters the house
A2 Overthere comes overhere
The Street Enters the House ( LP - Good Night - 1982 )
A3 A tunnel with curves
A4 Surrounded by trees
A5 A light moves across curtains
A6 Weightless
A7 No longer
B1 Running in the dark
B2 Moving in the rain
B3 On a beach lost at the sea
B4 The end of the road
B5 And fall asleep
B6 An empty corridor
B7 Outwards and across
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