About Helmut Eder
Helmut Eder (December 26, 1916, Linz–February 8, 2005, Salzburg) was an Austrian composer. Eder studied until 1948 at the Linz Conservatory, later studying with Johann Nepomuk David in Stuttgart and Carl Orff in Munich. Returning to Linz, he became a teacher at the Linz Conservatory, accepting a position as full professor in 1962. He also conducted the Singakademie in Linz from 1953-60 and founded an electronic music studio in the city in 1959. He became professor of composition at the Salzburg Mozarteum in 1967.
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Top Tracks
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Eder: Melodia-Ritmica, Op. 59 No. 1: Ritmica
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Eder: Melodia-Ritmica, Op. 59 No. 1: Melodia
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Intrada to Heinrich Isaaac's Innsbruck Song for 16 horns, Op 92/2b
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Wind Quintet No. 3 Op. 91 'Begegnung' - I. Motto - Rondo
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Wind Quintet No. 3 Op. 91 'Begegnung' - II. Melodie - Polyphonie
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Drei Sätze - III.
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Suite with Intermezzos for 10 Winds and Contrabass, Op. 71: I. Intrada - Intermezzo I
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Wind Quintet No. 3 "Begegnung": I. Motto - Rondo
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Wind Quintet No. 3 Op. 91 'Begegnung' - III. Melodie - Choral
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Wind Quintet No. 3 Op. 91 'Begegnung' - IV. Motto Perpetuum
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Wind Quintet No. 3 "Begegnung": II. Melodie - Polyphonie
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Wind Quintet No. 3 "Begegnung": III. Melodie - Choral
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Wind Quintet No. 3, Op. 91 "Begegnung" (1989): I. Motto - Rondo
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Wind Quintet No. 3, Op. 91 "Begegnung" (1989): III. Melodie - Choral
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Melodia: Ritmica Op. 59 Nr. 1, Ritmica
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Suite with Intermezzos for 10 Winds and Contrabass, Op. 71: IV. Rondo - Hommage à Wolfgang Amadeus Mozart
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Drei Sätze - I.
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Drei Sätze - II.
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Melodia-Ritmica, Op. 59/1: I. Melodia
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Melodia-Ritmica, Op. 59/1: II. Ritmica
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Concerto in C Major (Allegro) for flute, string orchestra and continuo
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"Nun danket all und bringet Ehr", Op. 47 Nr. 5 (Weise: Johann Crüger, aus "Praxis pietatis melica" 1647)
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Haffner - Konzert für Flöte und Orchester, Op. 82: I.
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"Septuagesima instrumentalis" 2. Bläserquintett, Op. 51 (1968/9)
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Cadunt umbrae, Op. 61 für Alt, Tonband und Orchester (1973)
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Sonatine, Op. 34/1 (1963)
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Wind Quintet No. 3 "Begegnung": IV. Motto - Perpetuum
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Intrada, Op.92 No.2b (To Heinrich Isaacs Innsbruck Song for 16 horns)
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Wind quintet No. 3, op. 91 - "Begegnung" - I. Motto - Rondo
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Wind quintet No. 3, op. 91 - "Begegnung" - II. Melodie - Polyphonie
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Wind quintet No. 3, op. 91 - "Begegnung" - III. Melodie - Choral
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Wind quintet No. 3, op. 91 - "Begegnung" - IV. Motto - Perpetuum
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Wind Quintet No.3 Op.91 'Begegnung' - II. Melodie - Polyphonie
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Wind Quintet No.3 'Begegnung' - I. Motto - Rondo
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Wind Quintet No.3 'Begegnung' - II. Melodie - Polyphonie
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Wind Quintet No.3 'Begegnung' - III. Melodie - Choral
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Wind Quintet No.3 'Begegnung' - IV. Motto - Perpetuum
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Wind Quintet No. 3 Op91 "Begegnung" - I. Motto - Rondo
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Wind Quintet No. 3 Op91 "Begegnung" - II. Melodie - Polyphonie
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Wind Quintet No. 3 Op91 "Begegnung" - III. Melodie - Choral
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Wind Quintet No. 3 Op91 "Begegnung" - IV. Motto Perpetuum
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Melodia: Ritmica Op. 59 Nr. 1, Melodia
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Wind Quintet No. 3, Op. 91 "Begegnung" (1989): II. Melodie - Polyphonie
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Wind Quintet No. 3, Op. 91 "Begegnung" (1989): IV. Motto - Perpetuum
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Suite with Intermezzos for 10 Winds and Contrabass, Op. 71: II. Andante misterioso - Intermezzo II
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Suite with Intermezzos for 10 Winds and Contrabass, Op. 71: III. Allegro mobile - Intermezzo III
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Sonatine für Viola und Klavier, Op. 34/2
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Orgelkonzert "L'homme armé" in drei Teilen: Teil 1
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Orgelkonzert "L'homme armé" in drei Teilen: Teil 2
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Orgelkonzert "L'homme armé" in drei Teilen: Teil 3
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