"Two important lineages of vocal radif-ha exist. The most influential and widely disseminated is that of Abdollah Davami (1891-1980), particularly as it was transmitted through his pupil Mahmud Karimi (1927-1984). This radif is characterized by its cogency and (particularly Karimi’s) self-similarity: its dense transposition and recycling of motives, tahrirs, and entire phrases. The second line of vocal radif transmission is relatively little known.
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Mahur
Bayat-e Tork & Afshari
Nava
Shur
Homayun
Chahargah
Bayat-e Esfahan, Segah
Shur continued, Abu 'Ata, Dashti
Shur contd., Abu 'Ata, Dashti
Shur, Abu 'Ata, Dashti
Bayet-e Esfahan, Segah
Radif Avazi Be Revayet-e, Vol. 2/ 02
Radif Avazi Be Revayet-e, Vol. 1/ 03
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